Research On The Singing Skills And Style Of Chinese Contemporary Singer Gong Linn

From the divine comedy ’Tan Te ’ to ’Chinese new art music ’,Gong Linna did some researches constantly on the clash of Chinese and Western culture to find the development of singing technologies,especially the diversified singing technologies.She laid emphasis on the skills of honoring diapason and she called the technology is ’The unite of sound position ’ in the singing and analysis She can always keep the unity of vocal range when spanned more than three octaves.This is a good material which is worth studying at molding characteristics singing.She always drifted away the classical music,national music and popular music when explored the national singing through the music journey.She searched for a heuristic road of the characteristics of national music and popular music during the social environment fragmented media.She capitalized on modern singing practices,national express and multi-style with the special explanation about the newest practice of music.She created her own tingly unique music and performing techniques.This text article combined the study of many national and foreign educators about her characteristics singing,the technologies of vocalization and stage performances by her different kinds songs.Doing some specific application through different styles of representative songs to analyse Gong Linna’s singing skills.Through the examples of her poems and songs ’Wu Hun ’,the songs without words ’Tan Te ’ and the folk song ’Brook Running Water ’ to analyse how does she use her unique singing skills in her arts,then I will analyse and summarize her works’ basic feature.Finally,according to Gong Linna’s practice to analyse her singing phenomenon on the development of vocal music education in Chinese great significance and reflection.