Research On The Singing Characteristics Of Gong Linna's Twenty-four Solar Terms Ancient Poetry

Spring breeze and spring birds,autumn cicadas,summer heat and rain,winter coldness,all poets have a sense of the four seasons.Poetry is based on Taoism,poetry is based on lyricism,poetry is used to purify the heart,the integrity of poetry.At first,poetry expressed the poet’s bearing and emotion in the form of recitation.Today,the development of the fusion of vocal music and poetry is more and more favored by the majority of professionals."Poetry" and "music" are inseparable.Under Gong Linna’s characteristic interpretation,the inner emotion and expression of poetry works are mastered through the cadence of sound,span tension and strength under the contrast of strength,What’s more,it vividly portrays the poet’s feelings in his poems.Telling the world’s warm and cold feelings with the refined pen of literary words,borrowing things to refer to people,things,and reasoning,to inspire and cultivate the noble aspirations,to cultivate the high and deep state of personality,and to obtain novel and pure aesthetic feelings through in-depth appreciation of poetry.As a treasure of Chinese culture,the art of ancient poetry and poetry integrates superb vocal skills with a splendid content and artistic conception to condense aesthetic creations with different ideological meanings and artistic values."Dry it with wind,moisturize it with alchemy".The art of poetry must have a soft and mellow feeling.In Gong Linna’s interpretation,the author’s mood and emotion in the situation can be clearly expressed by means of moistening the tune;Through the integration of opera singing and national elements,the image of different characters in poetry is highlighted;Through the use of harmony texture structure,to set off and strengthen the embodiment of the situational atmosphere of the work;As the framework of the work,rhythm and beat present the style of the work more directly and clearly.The charm of poetry is the advanced presentation of the content of poems.There is a scene in the meaning,and there is a meaning in the scene,both of them are at the same time.As a leading figure in China’s "New Art Music",Gong Linna has achieved innovative breakthroughs in the development of Chinese music and poetry culture.Under the fusion of "sound" and "music","music" has created more artistic conceptions for "sound".Rendering and atmosphere contrast.Poetry regulates itself by language,intonation and rhyme,and it has a close connection with vocal music.It is precisely because of the particularity of poetry culture that through the second creation of vocal music form,Chinese ancient poetry culture is interpreting and interacting with vocal music.More feelings and colors are highlighted in the charm of the performance.Nowadays,the popularity of vocal music has aroused more and more resonance among the masses,but the simplicity and artistic conception of the second vocal music creation of poetry has not entered a comprehensive sublimation.The purpose of the creation and interpretation of ancient poetry is the interpretation of content,expression of emotion,expression of will and promotion of feelings,and more should be the beauty of the integrity of the image of the poetry,the meaning is hidden in the image,the sentiment is derived from the words,and the subjective image is condensed The creation of aesthetic art.The core of the interpretation of poetry is the touch of aesthetic consciousness,the rendering of emotions,the inspiration of spirit and the promotion of ambition,giving viewers unlimited reverie and sentiment,so as to obtain a more profound aesthetic enjoyment.This paper aims to study the singing characteristics of Gong Linna’s 24 solar terms poems.The first part of the article gives a brief overview of the development of Gong Linna’s music interpretation and the artistic phenomenon of ancient solar terms.Secondly,it analyzes Gong Linna’s twenty-four solar terms in singing in combination with the content of the work and the expression of the author’s emotions and feelings from the perspective of skills,techniques and artistic conception.The third chapter takes Gong Linna’s four ancient poems of the 24 solar terms as the core,and makes a detailed deductive analysis from the perspective of the background of Ci,the relationship between CI and solar terms,the characteristics of singing,the use of skills,accompaniment and contrast;The fourth chapter looks forward to the inheritance of poetry culture and the innovation of vocal music art through Gong Linna’s analysis of the characteristics of the 24 solar terms ancient poetry.