A Study Of Dance's Expression Strategies In Trauma Narrative

Realistic dance drama is an important art form to witness history and reproduce memory.This topic proposed in 1976,the actual events "tangshan earthquake" as a breakthrough point,combined with the "trauma narrative","memory" and "wound healing" and other cultural theory of small wounds "relatives" ballet works with creative thinking,creative analysis described how to use the dance complete historical narrative language expression and the traumatic memories reappear after the trauma,And in the further consideration of its social significance and cultural value.Dance drama is a form of performance integrating dance,drama and music.Narrative characteristics of traumatic narration in narrative time online with "nonlinear" and "fragmentation" of disorder,wounds,though different from general ballet narrative logic,but the ballet emphasizes narrative logic,heavy,so I will be more traumatic narrative perspective transformation combined with ballet narrative logic,in the process of creative director to combine both bold and explored.This topic conducts an in-depth study on the expression strategies of choreographers in the characterization,plot conflict,time span and trauma narration of dance dramas,and interprets the thoughts generated by the choreographers themselves in the process of creation.Based on the theory of "trauma narration",this topic mainly studies the performance category,expression strategy and value orientation of the dance drama Shang · Kin.Wounds in ballet "relatives" in the process of the author to trauma narrative theory as the theoretical basis,will be more than a story plots overlap,twisted,use symbols to imitation,repetition,fault,rewind,break time linear structure mode,use the same events in different retelling the scene hit subject train of thought,break the truth and illusion,memory and forgetting,The boundary between the past and the present.