In this paper,the researcher draws lessons from the relevant concepts of "situation" in drama theory,combined with the research results in related fields such as stage art theory and Gestalt psychology,and analyzes the narrative characteristics and method application of situation creation in dance creation through their own dance creation practice.Then,from the dance noumenon form to the renewal of the concept of artistic creation,think about the scale orientation of literary and artistic creation on realism and emptiness,realism and romanticism,narration and lyricism.In the first chapter,in view of the artistic commonness of "space-time blending" between dance and drama,the concept of "specified situation" in drama is interpreted to inspire the imagination,authenticity and logic in stage creation and performance,and explain the key role of situation construction in dance in narration.The second chapter refers to the narrative mode of situational creation in classical dance works at home and abroad,and details the application of individuals in practice.From the perspective of the relationship between "emotion" and "scenery",this paper refines four different technical methods of "artificial environment","conveying emotion by objects","touching scenery to generate emotion" and "creating scenery according to emotion",which involves the application of different knowledge,such as the principle of visual perception,the rhetorical techniques of dance,the structural mode and the use of props.In terms of innovation,this paper makes a practical attempt to isomorphize the "quality" of situation construction and the "force" of dynamic movement in dance,so as to broaden the metaphorical mechanism of dance.In the third chapter,the narrative form of "situation creation" in dance editing is considered with an integrated thinking logic,including the innovation and integration of dance narrative rhetoric and the renewal of the concept of time and space in dance creation.The renewal of creative time and space breaks through the traditional frame stage,extends to the application of dance in expressing specific situations in other art forms,and inspires the upgrading of choreographer and director’s consciousness from choreography to director.The understanding and cognition of the situation in this subject aims to play a positive application significance to the renewal of creative ideas,the expansion of narrative methods,and the connection between editing and performance.The research summarizes the effectiveness of situation construction on dance narration: first,combine the expressiveness and reproducibility of dance;Second,provide structural clues for the development of the plot;Third,create distinctive and typical characters;Fourth,build cultural and value identity for the audience’s understanding;Fifth,integrate various art forms to comprehensively improve the aesthetic experience of the audience. |