Analysis Of The Deformation, Combination And Structural Force Of Sound Material

As a kind of electronic music,Acousmatic Music is different from other types of music.It uses real figurative sound and electronic sound as the core material for developing music,and uses audio technology to process the sound material to form certain music.In this paper,the sound material of the smallest structural unit of auditory hallucination music is selected as the starting point,and on this basis,the research and analysis of the deformation method,combination method and structural force of the sound material are introduced.Francois Bayle’s work "Jeita" is used as an analytical use case to support the author’s argument.The full text is divided into four chapters.The first chapter is an introduction to the composer Francois Bayle’s life and work "Jeita",and the second chapter is about frequency,rhythm,modulation,particle,space and comprehensive deformation,In several aspects,the deformation techniques of sound materials are discussed.The third chapter is aimed at the combination of sound materials,from the basic sound form to the complex music texture.The fourth chapter is from the structural force which it analyzes the structural elements,the connection logic and function between parts,as well as the overall structure and construction thinking of music.The second and third chapters of this paper are the technical analysis of electronic music,which is the most basic part of electronic music and the precondition for the formation of music structure,The fourth chapter is the summary of the second and third chapters from the perspective of structure.Induction and extension.The purpose of this research is to research and sort out the technology and structure of electronic music,hoping that creators can grasp the essence of sound material and structure when creating,and provide certain reference value for other scholars to study auditory Acousmatic music in the future.