Sound Processing In The Combination Of Chinese Instruments And Western Orchestras

The Main research objects of this paper is the sound processing of Chinese instrument combined with west orchestra,add one or several Chinese instruments to the western orchestra,Whether in the 1960 s and 1970 s of the last century or in modern times,this kind of piece has been widely favored by many composers,many Chinese and even international composers have written a large number of excellent works for such forms,This form of musical expression is mainly Western symphony as the main factor and adds the unique musical language of the East,which increasingly accepted by the world,it also helps to export Chinese music culture to the world.The unique combination form of Chinese instruments and Western orchestra,which involve technology of composition and orchestration and Related fields,which includes not only the writing of Chinese instruments,but also the writing of Western instruments,which is a combination of musical writing thinking under the framework of Chinese and Western instrumental music writing,and which is required that composers have rich creative ideas and superb creative techniques,and master not only the rich playing techniques of Chinese instruments,but also the writing techniques of Western orchestras,and also includes the combination of them.The music scores in this paper include about 40 works on related subjects collected by the author,which includes works by older composers and Chinese contemporary composers.These works have a lot of originality,whether from the exploration of sound,pitch organization or work structure.These composers' novel ways of expression methods make the performance of Chinese instruments obtain a new sound effect,greatly enriching the expression of Chinese instruments,which is also a way for the performers to control music,grasp emotions and display skills has higher requirements,but also make the work of ideological,artistic to a new level.After the author's analysis of the total score and listening to the sound of these works,and a comparative study of the works,the article is divided into five chapters.The first chapter mainly discusses the combination forms of Chinese instruments and Western orchestras,mainly classifies the combination forms of Chinese instruments and Western orchestras,mainly including four sections,The first section is the concerto form of the combination of the Chinese instruments with the Western orchestras,including the development of the Western Concerto,the combination form of the concerto with the Chinese instruments,the second section is the decoration of the Chinese instruments in the Western orchestras,the third section is the partial performance of the Chinese instruments with the non main performance The independent melody part,including the leading melody played by the non main Chinese instruments in the part of the work,and the decorative melody played by the non main Chinese instruments in the part of the work.The fourth section is the mixing of Chinese and Western instruments in the Modern Peking Opera.The second chapter discusses the problems of sound integration and balance in the combination of Chinese instruments and Western orchestras,and the differences in performance between Chinese and Western instruments,and the improvement of Chinese instruments and the development of performance skills,and then analyzes the sound differences between Chinese instruments and Western instruments from the perspective of acoustics and pitch.The reasons include noise when the instrument starts to vibrate,and overtones in the continuity of the music,and different resonance peaks in the spectrum envelope,and the diversification of the production materials of Chinese and Western instruments,and the difference in the form and structure of Chinese and Western instruments,and the difference in the mechanization degree of the production of Chinese and Western instruments,and the difference in the performance technology of Chinese and Western instruments,and the difference in the adscription of pitch of Chinese and Western instruments.The third chapter is several combination methods of Chinese instruments and Western orchestras,which is the focus of this paper,and which is mainly the some general induction and summary that is writing techniques of sound processing in the works of the same kind of musical instruments written by author.The third chapter is divided into four sections,the first section discusses the several combination of Chinese wind instruments and Western orchestras,which including the leading of national wind instruments in melody,and the combination of national wind instruments and Western instruments in melody lines of different pitch interval,the two part and multi part polyphony texture with different timbres composed of national wind instruments and Western instruments,the transfer of national wind instruments and Western instruments in acoustics,and then some methods of combination of Sheng and Western orchestra are discussed As harmonic effect or background,flowing sound effect or background,interwoven,juxtaposed,layered and partially overlapped harmonic combination with western orchestra.At the end of this section,it briefly discusses some works of other rarely used national wind instruments combined with western orchestra.The second section is about several combination methods of Chinese national plucked string instruments and Western orchestra,including the leading of national plucked string instruments in melody,the combination of the single point melody played by national plucked string instruments and the melody played by Western instruments in different pitch interval,the combination of the continuous point melody played by national plucked string instruments and the linear melody played by Western instruments The combination of homophony degree,polyphony texture composed of continuous dots played by national plucked string instruments and linear melodies played by Western instruments,the combination of dots played by national plucked string instruments and dots played by Western instruments,several possibilities for the integration of single dots played by national plucked string instruments into Western orchestras,and finally the National plucked string Several possibilities of the integration of some decorative sounds played by plucked instruments into Western orchestras.The third section is about the combination of Chinese percussion instruments and Western orchestras.Firstly,author discusses the independent part system of Chinese percussion instruments and the flexible combination of Chinese percussion instruments.Then it discusses the combination of Chinese percussion instruments and Western orchestras,including the national percussion in the dominant position and the national percussion in the non-dominant position,Then author discusses the role of Chinese national percussion instruments in Western orchestras,including the role of the combination of national percussion instruments with certain pitch and Western orchestras,and the role of the combination of national percussion instruments no certain pitch and Western orchestras.Finally,author discusses the role of the combination of Beijing Opera percussion instruments and Western orchestras,including the configuration of Beijing Opera percussion instruments And color,as well as the role of Peking Opera percussion in orchestral works and the role of Peking Opera percussion in Modern Peking Opera.The fourth section is the several combination methods of Chinese bow string instruments and Western orchestras,including the lead of national bow string instruments in melody,the combination of national bow string instruments and Western instruments in different pitch interval,the combination of national bow string instruments and Western instruments to form a polyphonic texture and nationality of heterogeneous sound At the end of this section,the author briefly discusses some works that are combined with Western orchestras.The fourth chapter is the simulation and combination of western orchestras on the sound mode of Chinese instruments.The content discussed in this chapter is to take the music form of Chinese instruments as the main body,to imitate the melody form,sound form,rhythm form,performance technology and other aspects of national instruments in the orchestras,as well as the connection between the music form of Western instruments and national instruments.And author discusses the combination,extension and expansion between western instruments and national instruments.The author calls these: the simulation and combination of sound mode,which is not only the orchestration technique in the combination of Chinese national instruments and Western orchestras,but also the combination of orchestration technique and composing technique.Firstly,the author discusses the vertical multi-layer processing of the single melody that the western orchestra attach to national instrument,the content is divided into two parts: the superimposed multi-layer processing and the reverberation multi-layer processing.Secondly,the paper discusses the imitation and combination of point shaped sound that western orchestra to Chinese instruments,which is divided into the imitation and combination of the single point shaped sound and the continuous point shaped line sound,and the imitation and combination of the point shaped sound that western orchestra to Chinese instruments,and the imitation and combination of the massive sound that western orchestra to Chinese instruments,including the imitation and combination of the point shaped massive sound and the long shaped massive sound,and the imitation and combination of the noise form that western orchestra to Chinese instruments.The last chapter is about some thinking on the integration of eastern and western music.The author briefly discusses the integration of eastern and western music,including the composition of Chinese instruments and the prospect of Chinese national musical instruments on the world stage.This thesis involves not only the performing techniques of Chinese instruments,but also the performing techniques and orchestration of Western orchestras.There are also many theoretical works about these two orchestration systems,and they have their own characteristics.The combination of the two is the characteristic of this subject.After the author's reading and listening to the music of this kind of pieces,And make comparative study of these pieces,and summarize the technical methods of sound processing in the works of the same kind of national musical instruments combined with Western orchestras,and hoping to present some easy to use and relatively reasonable writing methods,so as to make them become a rule-based system for readers to correct and reference.