The Influence Of The Graphic Language Of Jianjiang Landscape Painting On The Creation Of "Mountain,Water,Cloud And One Place"

Jianjiang has an extraordinary position in the Chinese painting circle.He has his own unique understanding and perception of natural landscapes,and his original landscape schema has been studied by later generations.Jianjiang’s personalized landscape schema language had a great influence on the painting circles of Ming and Qing Dynasties.The focus of this paper is to apply the Jianjiang landscape painting schema to the graduation creation " Mountain,Water,Cloud and One Place".Learn the schema language of gradual river landscape painting,enhance the picture expression of your own paintings,and enrich the picture effects.The content of this paper includes three main aspects:first,starting from the schema language in Jianjiang landscape painting,analyzes the meaning of schema language,and further expounds the connotation of schema language by combining the works of Jianjiang landscape painting;The characteristics of the schematic language and the emotions expressed in the gradual river landscape painting are analyzed.Combined with the creative works in the early,middle and later stages of graduation creation,four kinds of landscape diagrams are divided into geometric schema,close-up of corners,constitutive schema and compound schema.This paper discusses the method of the schema,and applies the schema language to " Mountain,Water,Cloud and One Place ";thirdly,through the study of the schema language of Jianjiang landscape painting,the problems encountered in the creation of " Mountain,Water,Cloud and One Place " are discussed.Summarize and reflect on insights.