Analysis Of "Ercuan" Calligraphy Style And Its Influence On Regular Script Creation Since The Late Qing Dynasty

Cuan baozi stele and Cuan Longyan stele were established in the Eastern Jin Dynasty and the Liu Song Dynasty of the Southern Dynasty respectively.Due to the special political,economic and cultural background of this period and the regional characteristics located in remote Yunnan,the "Er Cuan stele" has a unique regional style and distinctive personality.This period was the most chaotic era in China’s society and politics.Dynasties changed frequently,wars continued,and population migration was frequent.Under the background of the policy of "banning steles" in the Eastern Jin and Southern Dynasties,there are few steles handed down in this period.Cuan baozi stele established in the Eastern Jin Dynasty and Cuan Longyan stele established in the Liu Song Dynasty of the Southern Dynasty are not affected by the "ban stele" policy because they are located in remote Yunnan.Therefore,the "two Cuan steles" are very precious.This paper is mainly divided into four chapters to analyze and discuss the calligraphy style of "Er long monument" and its influence on the creation of regular script since the late Qing Dynasty,as well as its influence on the creation of regular script in China.The first chapter discusses the background of "Erlong monument",which is divided into its era background and regional family background.From the perspective of the background of the two monuments,we can see the similarities and differences of "Erlong monument".The second chapter first analyzes the source of the calligraphy style of "Erlong monument",and then compares it from the two aspects of pen and structure,so as to clarify the similarities and differences of the calligraphy style of "Erlong monument" in a more intuitive way.The third chapter,by dividing the late Qing Dynasty,the Republic of China and contemporary two periods to sort out the calligraphers who adopted the "Erlong tablet",and the inheritance and learning of the calligraphy style of the "Erlong tablet" in future generations,so as to illustrate the influence of the "Erlong tablet" on the creation of regular script since the late Qing Dynasty.The fourth chapter discusses from two aspects: my experience in the process of learning "Er long monument" and its influence on my regular script creation.In terms of copying,compare and analyze the similarities and differences of the basic calligraphy style of the "Erlong monument",and better master the calligraphy style of the "Erlong monument" through the temporary practice of stippling and knot characters of the "Erlong monument".At the same time,through the analysis of the aesthetic style of the two steles,we can better understand that learning steles can not be described,and we should learn their body posture,theory and momentum.In terms of creation,in addition to grasping the formal characteristics of the two steles,it exaggerates and shrinks the stippling and structure,and realizes the style and flavor of the two steles through comparison.At the same time,I have also added some basic features of Tang Kai,which makes the works more vibrant and varied.In terms of external form,I created large and small characters by learning couplets,banners and other forms,so as to further understand the style of "erhan" calligraphy.