In the context of contemporary art,various forms of artworks such as video,installation,performance and new media art are surrounding the viewer’s eyes in an era of image proliferation.The slogan of the end of art constantly reminds artists of the questioning of the very essence of painting,challenging the boundaries of traditional painting art,and the art of copperplate,as one of the traditional types of painting,faces the same challenge.Since its invention,the Chinese art of papermaking has spread widely among the world’s cultures,contributing to a large extent to the development of civilisation.In the modern era of mechanisation,the art of hand-copying has fallen into decline,but from the perspective of copperplate art,paper is an essential carrier in the art of copperplate,and has an important place.How to find new artistic values in the millennium-old history of traditional hand-copied paper,and how to combine contemporary development trends with three-dimensional space,has far-reaching research significance.The paper is divided into four parts,starting with the introductory part,which discusses the background,research significance,research methodology and innovation points of hand-made paper to three-dimensional space.Chapter 1: The specific concept analysis of the artisan making handmade paper copy and three-dimensional space,based on the historical origins of handmade paper copy and the general analysis of how three-dimensional space is transformed in flat art.Chapter 2: focuses on how to make handmade paper reconstructions and examples of three-dimensional artworks by domestic and international artists in the art era.Chapter 3: A summary of the first two chapters and a sense of artistic creation,the presentation of handmade paper art forms and a study of the printing effect of how to combine the art language of three-dimensional space with handmade paper in the art of copperplate. |