| Xun Huisheng,one of the "four famous Dan" of Peking Opera,is an outstanding Dan performing artist,drama theorist and educator in the history of Chinese opera,and the founder of Xun School of Peking Opera.In this paper,xunhuisheng himself in the nearly 60 years of practice of stage art created new plays as the research object,so as to explore the cultural connotation and aesthetic style of Xunschool art.These new plays are infused with Xun Huisheng’s free and beautiful,free and casual performance style and innovative consciousness of daring to break through and pursue progress.Under the representation of "Hongniang","Xiujia Record","Chai Tou Feng","Yuanxiao Riddle","Pan Silk Cave","Buried Incense Fantasy","Zhuo Wenjun" and other plays,The successful shaping of Yang Yunyou,matchmaker,you sanjie,Lin Huiniang,Li Yaxian,Tang Huixian,Zhang Yingying and many other modern aesthetic stage art images are extremely valuable artistic wealth for later generations.The first chapter is a new writing purpose,xun in the first section describes the concept of xun end new writers introduction and definition of combination of xun play historical facts,xun’s new play across the four historical stages,Shanghai new writers purpose originated during the performance period period,the new play at the time of the cooperation with Chen mo Chuang Yan golden age,In the period of cooperation with other literati during the War of Resistance against Japanese Aggression,the number and quality of repertory creation stagnated.After the founding of New China,it was the period of sorting out and perfecting his new plays.These new plays are dominated by female characters,involving female images such as servant girls,virgins,prostitutes and chivalrous women,giving out a strong xunzi school aesthetic style.The second chapter discusses xun Huisheng’s artistic activities for the purpose of creating a new scriptwriter,which is divided into three sections.In terms of the specific causes of creation and performance,the author has obtained the four main causes of creation and performance in the period of the Republic of China: the reform and transformation of Peking Opera,the renewal and change of audience’s aesthetic fashion,the competition and resonance within the performance of famous actors,and xun Huisheng’s artistic pursuit of innovation and change.In terms of the creative performance team,xun Huisheng’s new play mainly benefits from the literati,scriptwriter and supporting performance of the "White Society" behind it.In the process of creation and performance,Xun Huisheng took the leading position in the rehearsal of the new play,and actively sought the artistic guidance of Wang Yaoqing,the "Master of Tongtian Religion",and polished the new play constantly in the stage practice.The third chapter focuses on the cultural connotation of Xun Huisheng’s new scriptwriter,which is divided into three sections.The first summary is based on the historical facts of the development of Peking Opera,and concludes that xun Huisheng’s new play examines and constructs the image of Dan Jiao in a new way.The second section analyzes the literariness of the repertory from the aspects of plot,words and thoughts,and draws a conclusion that compared with the traditional Peking Opera repertory,its literary implication is obviously enhanced and improved.The third section analyzes the aesthetic thought of performance in xunhuisheng’s new plays,revealing his aesthetic pursuit of attaching importance to emotional experience,pursuing natural beauty and getting rid of the fetters of program. |
