Singing Analysis Of Grassland Songs

" Pour Le Piano " is one of the important works of French Impressionist music master Debussy,who jumped out of the inherent framework and limitations of western traditional music creation and used colored harmony and other means.While inheriting the traditional creative methods in the classical period,he also joined the style transformation period of Impressionist unique music language.This paper takes " Pour Le Piano " as the research object,takes the study of the key touch and pedal of the song as the main content,starts from the music texture,analyzes and studies the different key touch methods and pedal techniques to change the timbre,uses different key touch methods for different music emotions,and matches different pedal techniques,so as to more accurately play the sound effect produced at the moment of chord playing desired by the composer.Using the methods of literature research,performance practice and music score analysis,taking the way of touching the key as the starting point,this paper makes an in-depth study from the aspects of force angle,force area and key lowering speed.It is concluded that the smaller the angle between the finger and the key,the larger the force area of the key,the softer the sound played;The slower the key down speed,the rounder the edges and corners of the sound,and the softer and hazy the timbre obtained,which can better achieve the hazy beauty of music pursued by Debussy.At the same time,using the methods of performance practice,comparative analysis and music score analysis,taking the different functions of the pedal as the starting point,this paper makes an in-depth study from the aspects of continuous pedal,selection pedal and left pedal,and comes to the conclusion that Debussy’s impressionist style uses more shallow pedal,deep pedal and multi pedal at the same time,highlighting the harmony level and rendering the music color compared with the previous romantic pedal techniques.