Research On The Creation Of Folk Painting Documentary-and On The Graduation Work "Yellow River Stone Painting"

Nourished and nurtured by five thousand years of Chinese culture,folk art is the crystallization of the wisdom of working people,and its diverse forms and rich subject matter express the folk characteristics of different regions and ethnic groups.As one of the main categories of folk art,folk painting is a zero-distance contact point between art and life.It is born in life in a primitive and simple form,and is continuously developed and perfected in labor practice,eventually forming a unique form of folk art.With the help of video media,the folk painting documentary inspects the artistic heritage in the painting carrier,seeks the true meaning of art in the combination of audio and visual,and cares for the artistic reality in the recording of video reality,which innovates the form of development and inheritance of folk painting.This paper takes the graduation work "Yellow River Stone Painting" as the main case and discusses the creation of folk painting documentaries in six parts combined with documentaries on related topics.The introductory part combines the research background and research significance,sorts out the research status of folk painting documentary,forms a literature review in the case analysis of folk painting and documentary image;identifies in the research method in the case and literature,and seeks the organic combination with folk painting documentary in the spirit of Yellow River culture,which has some innovative significance to the research of folk painting documentary.In the first part of the text,a brief overview of folk painting documentaries is given.Focusing on both folk painting and folk painting video,it discusses the historical origin and creative characteristics of folk painting and the conceptual interpretation and development status of folk painting documentary video respectively.The second part focuses on the multidimensional value of folk painting documentaries.The documentary images can better contribute to the dissemination of folk painting art from multiple perspectives of historical documents,aesthetic culture,and economic market,and the third part explores the structure construction of folk painting documentaries.The theme selection of humanities and arts provides diverse options for the creation of folk painting,the plot setting of standing image and intention builds a story bridge between material art and cultural heritage,and the mixture of time and space crosses to strengthen the artistic perception and memory tracing of folk painting.The fourth part focuses on the audio-visual presentation of the folk painting documentary.It discusses in detail from both visual and aural perspectives,from the selection of scenery to the capture of color,from the setting of composition to the interview of simultaneous sound,from the creation of the atmosphere of music to the poetic articulation of narration to assist the creation of folk painting documentaries.The fifth part seeks image innovation from the creative thinking of folk painting documentaries and explores the future development path of folk painting documentaries.The folk painting documentary should adjust its creation method under the guidance of macroscopic spirit of the times;refine the humanistic story on the basis of microscopic audiovisual presentation;and complete the branding construction with the support of new media technology to convey the Chinese story.