Research On Yuan Jue’s Creation Of Kaiping Poems

Kaiping Four Collected Poems is the general name of Yuan Jue’s poems and songs,which were written by four retinue of Mongolian emperors during the first year of Renzong’s reign(1314)to the second year of his reign(1322).As the earliest collection of poems on Shangdu,it shows the image of Shangdu in the eyes of southern scholars in detail for the first time and describes the life of courtiers in Shangdu.As far as the content tendency and creation form of poetry itself are concerned,it undoubtedly plays a leading role.From the diachronic point of view,its appearance has obvious historical significance for the prosperity of the poetry creation in Shangjing and the evolution of the poetry style in Yuan Dynasty.In view of this,this paper will take Kaiping Four Collections as the research object,and try to interpret and explain Yuan Jue’s poetry writing in Shangdu from the aspects of literature,space and psychology.It is composed of four specific parts: The first part reproduces a relatively complete picture of the post road from two dimensions of time and space through Yuan Jue’s description of the geographical space and landscape of the post road in "The Four Sets of Kaiping",and tries to learn the changes of the poet’s psychological perception in the frequent movement of geographical position.The second part,through Yuan Jue’s personal experience of palace life such as pilgrimage,banquet and sacrifice,and his description of national customs and culture,expounds the poet’s interpretation of the political and cultural attributes of Yuan Shangdu under the impact of culture.The third part focuses on Yuan Jue’s social activities and creation in Shangdu,and explores the emotional expression contained in it.On this basis,this paper further discusses the influence of Yuan Jue’s poetic concept and poetry creation practice on the establishment of the theme of poetry in Shangjing,and the guidance of Zong Tang and Yazheng’s poetry style.The fourth part explains Yuan Jue’s writing features,focusing on the relationship between landscape transformation and poetry creation in Beijing,and analyzes the process of the poet’s transformation of terrain into discourse,as well as his response to interpreting the region and judging his identity,involving the discussion of multiple complex factors such as intuitive experience,emotional memory and realistic situation.