| As an important part of my country’s traditional culture,intangible cultural heritage has extremely important historical significance and contemporary value,and undertakes the important task of "revival of excellent traditional culture" in the new era.With the continuous acceleration of social industrialization and urbanization,the protection and inheritance of intangible cultural heritage has become particularly important.In particular,Thang-ga art is a key "encyclopedia" for understanding Tibetan society,culture,and economy.Due to the particularity of its drawing materials and the improper protection of many other issues,the protection and inheritance work has become more urgent.Since 2006,Thang-ga art has been officially included in the first batch of national intangible cultural heritage list and recognized as world intangible cultural heritage by UNESCO,which started the "protection and inheritance fever" Driven by structural forces led by social institutions and assisted by social institutions,the protection and inheritance of Thang-ga art has successively experienced different protection and inheritance mechanisms such as rescue protection,overall protection,legislative protection,and productive protection.However,the protection and inheritance of Thang-ga art is not fixed or prohibited,but a new protection and inheritance mechanism will emerge with the development of the times.Under the premise that the current media technology is constantly updated and iterative,and the audio-visual language has changed from monopoly to openness and generalization to independence,the protection and inheritance mechanism of Thang-ga art should move towards a new stage of "image protection".Therefore,this study selects the most representative style of Tibetan Thang-ga art-Tianzhu Huarui Thang-ga,and specifically through the communication with the protector of Huarui Thang-ga and many preparatory work,it is planned to be carried out by video.Conservation and heritage work.Summarize the specific shooting process and record the relevant work of Thang-gas based on the principle of truth,such as paint production,canvas production,painting tool production,etc.In addition,respect the Tibetan customs and habits,and respect the personal beliefs of the inheritors.On this basis,record and To spread Thang-ga art,we try to use image protection to promote and drive social influence,let video works spread the value and connotation of Thang-ga,and eliminate the "mystery" of inheritance.At the same time,through the establishment of Thang-ga image protection standards,the economic support for Thang-ga image protection will be strengthened,the document database of Thang-ga image protection will be strengthened,multiple platforms of Thang-ga image protection will be constructed,and the protection strategies and strategies of intangible cultural heritage will be used.Policy support to improve the social communication power of Thang-ga image protection and inheritance.In short,the documentary "Painted" Volume of Tianzhu is a concrete practice of the protection and inheritance of Thang-ga images.By tracking and filming the two inheritors of Tianzhu Huarui Thang-gas,it presents the audience with more specific images of Thang-ga protection and inheritance.Effective paths and reliable methods of inheritance. |
