| For thousands of years,China’s traditional society has relied on agriculture as its main livelihood.Chinese people have formed the character of settling down on land and moving to other places in the long-term farming civilization,and also formed the ideology of paying special attention to residential buildings.In order to be able to live more comfortable,since ancient times,Chinese people always think and try to improve the living conditions,in the process,culture and substances interact with each other,building combined with social culture,inevitably develop the appearance of heavy and complicated pluralistic style and decoration style,also has gradually become the vehicle of culture and explicit.The relevant expositions of predecessors to screen for more data measurement of the Angle of architecture and aesthetic analysis of aesthetic Angle,from the Angle of folklore observation people human behavior and mental concept does not see more,based on the screen as the main research object,through in-depth xingtai concrete way of village community,using field work method of observation,interviews,records,Combined with local materials and other literature,the method of folklore is used to try to jump out of the perspective of mere objects and explore the interpersonal relationship,local culture and people’s ideas behind the screen walls.As a barrier wall,the screen wall is a common element of residential architecture in Xingtai area,widely existing in village people’s life in various forms.Widely used as residence sketch of the building elements,with compound screen doors for reference,according to the environment,location and family status choose a variety of conditions,such as the location,shape and decoration,it involves a village public perception of identity difference,faith for god,and for the attention of the family,it contains the emergence and development of traditional culture elements of the history of crystallization,In the communication with the society and culture,it gradually has the characteristics of the region and The Times.First of all,the importance of the wall in People’s Daily life is also reflected in the connection of interpersonal relationship.The host family establishes contact with the outside world when building the wall,and virtually constructs and maintains the kinship,business relationship and geographical relationship from site selection to construction and decoration.Secondly,the screen wall contains the concept of identity identification and differentiation of village people.Confucian culture advocates rites and music and stresses the rank and inferiority,and on this basis,a strict hierarchy has been formed.Hierarchies in Confucian culture are specific to the selection of location,scale and decorative patterns on the screen wall buildings.By observing the details of use and comparing people’s attitudes towards users,people’s concept of worth-writing and warlike can be clearly understood.Thirdly,the film walls bear the complex beliefs of the masses.At the beginning,human beings were unable to fight against the cruel natural environment,resulting in the concept of animism.This kind of reverence for heaven and earth and nature is the belief of the early human beings.The village society has numerous and mixed worship concepts of gods.The screen wall externalizes people’s belief concepts and psychological expectations through the worship of gods and the use of relevant decorations,but no matter what kind of belief,it expresses people’s pursuit of a better life.Last but not least,it maintains the traditional concept of Chinese Confucian ethics and consanguinity inheritance,and ADAPTS to each other in the integration of local cultural concepts,forming the default family concept of village people.The family is closed and enclosed,and the individuals in it need to take corresponding responsibilities to show the harmonious family atmosphere of the kind father,filial son and respectful husband and wife. |
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