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On The Lines Used In Yun Shouping Mogu Flower Painting

Posted on:2023-03-21Degree:MasterType:Thesis
Country:ChinaCandidate:Q X GuoFull Text:PDF
GTID:2555306617483934Subject:Art
Abstract/Summary:PDF Full Text Request
1、Taking the relationship between "line" and "bone" in "bone technique pen" as the starting point and relying on the spirit of Chinese painting,this paper discusses the embodiment and position of "line" in no bone.This paper mainly understands the boneless line from the three general directions of "ink color","painting spirit" and "brushwork".The ink color of Mogu contains "bone" and "line".Shouping’s painting spirit also mentioned the performance of Mogu’s "line" many times.We should also understand the relationship between "pen" and "line" in writing.In Mogu technique,ink pen and thread are used as a contrast to each other,but Mogu’s understanding and application of "line" are gradually weakening.2、Take the "line" of Yun shouping Mogu flower book as a reference,and interpret part of the painting spirit according to the postscript of Shouping painting.In Mogu,"line" is bone,and "color shape" is also bone.No bone is not equal to no bone,hidden line is not equal to wireless."Line" and "bone" are often inseparable.The more general "bone" lies in the use of pen,that is,the expression of color and shape.The relationship between "line" and "color form" depends on each other,both of which are "bone".Secondly,Yun Shouping’s painting spirit is inseparable from calligraphy.What’s more,it is the internal and external unity of Yun Shouping’s literati’s "character" and the picture’s "pen".In the painting,the organic unity of the external form line and the internal invisible line is the real "no bone".In the real sense,Mogu is actually the unity of pen and ink,as well as the unity of style and bone method.3、Taking his own creation as the practical basis,he studied Yun Shouping Mogu technique,analyzed the creative process,inherited and applied it in his own creation,constantly tried to innovate,went deep into the practical application of "line" in Mogu flower painting,and analyzed the external artistic characteristics of line.Demonstrate the unity of pen and color in practice,experience Yun Shouping Qingyi’s ups and downs of pen,and analyze the interest of its thread.
Keywords/Search Tags:Yun Shouping, Boneless flower painting, Wire, Self creation
PDF Full Text Request
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