A Study On The Expression Of "Quiet" In The Visual Language Of Contemporary Bronze Engraving

This article takes the connection between the visual language of contemporary copperplate painting and the aesthetic philosophy of the "static" realm as the specific object of research.By analyzing the specific content of aesthetic philosophy,the painting expression forms related to the "static" realm,and the visual language of contemporary copperplate painting,the final research focuses on the impact of the "static" realm philosophy and expression forms on the creative heart and expression form of copperplate painting visual language.This article first analyzes the development and specific content of the aesthetic philosophy of the "static" realm,discusses the painting forms related to the "static" realm,and combines the creative practices of Chinese and foreign artists and myself to draw research conclusions and personal insights.The aesthetic philosophy contained in "stillness" is rich and profound.The aesthetic study of "stillness" in China has experienced the development from Philosophy of life to aesthetics in the field of art.Among them,the aesthetic concept of "empty stillness" headed by Laozi and Zhuangzi is more representative.Compared to China,there are also aesthetic viewpoints related to this abroad-"Jingmu",and "Jingmu" aesthetics also have a significant impact on Western art works.After concluding the discussion on the aesthetics of stillness,the article begins to specifically study the meaning of "stillness" and the connection between "stillness" and painting creation.Finally,this relevant chapter in the article takes the "static" realm as the philosophical background to study its role in the spiritual expression of visual language creation in copperplate prints.The aesthetics of the ’quiet’ realm requires a presentation of form,and many painting concepts and forms in traditional Chinese painting are good examples for research.The concept and form of painting are influenced by the aesthetic background of the "static" realm,which can be presented in multiple aspects,such as the selection of element images,composition and layout,the combination of virtual and real elements with black and white contrast,and the design and creation of the realm.The discussion of these elements is the research focus on integrating the "static" environment into the visual language of copperplate painting.The research and exploration of the topic direction in this article cannot be separated from specific creative practices.The article gives specific examples to analyze the creative thinking and work cases of Yun Shouping,Giorgio Morandi,Xu Baozhong and Chen Qi.I hope to conduct research and discourse on multiple levels,diversity,and diversity.Finally,the article takes my printmaking creation practice as a case study,and discusses the expression of "stillness" in the visual language of contemporary copperplate painting by describing the small chapters and actual works that contain the spiritual pursuit,aesthetic attitudes,and printmaking considerations of the author in his creation.The research topic of this article has certain research value for the role of aesthetic spirit in traditional culture in contemporary copperplate painting.It is also a summary of the author’s three years of graduate creative practice.It is hoped that the advantages of traditional aesthetics can be inherited and developed by combining the author’s own printmaking emotions and printmaking skills.