Reflection On The Language Creation Of Impressions In Copper Plate Painting

The development of copperplate painting has a history of over a hundred years.It is an art work created by creators who first carve their creative patterns onto copper plates,and then use the uneven planes on the copper plates to transfer the painting patterns onto paper.Due to the strong manufacturability of copperplate prints,creators need to master various techniques such as plate engraving,ink color matching,and transfer printing during the production process.The creation process is relatively complex,and any problems in each link will affect the artistic effect of the work.Creators express their artistic inspiration through the imprints on copper plates.In the creation of copperplate prints,actively utilizing the imprints can make the images more colorful.This requires that the writer should master the productive and contingency performance characteristics of the imprint language and apply them properly when creating,so that the picture can show a unique artistic effect.This article adopts research methods such as literature analysis,induction and summary,and experimental practice to study the language of imprints in copperplate paintings.The study is divided into four parts.The first part introduces the background,current research status,and research methods of the study;The second part analyzes the artistic characteristics of copperplate prints from three aspects:indirectness,plurality,and conveying spiritual connotations;The third part studies the artistic characteristics and value of the imprint language in copperplate paintings,and analyzes it with the help of practical cases;The fourth part delves into the theme determination,creative process,and artistic techniques used in the creative process of "Beijing Station",and proposes some personal thoughts and insights.