Film induced tourism is an emerging form of tourism that has been highly sought after in recent years.Since the establishment of Wuxi Film induced tourism City in Jiangsu in 1987,a large number of Film induced tourism cities and theme parks have been built,but in the development process,only 10% of film and television cities and theme parks have been profitable.With the advent of the experiential era,tourists’ experiential needs have become more profound,but there are problems with film induced tourism destinations that have relatively single experiential products based on tourists’ perspectives and lack of profound experiences.In terms of academia,although there has been more than 30 years of research on film and television tourism both domestically and internationally,there is little attention paid to film induced tourists,and there is a lack of basic theoretical research on the experience of film and television tourists.In such a realistic and theoretical context,the development of embodied theory has provided new possibilities for exploring tourism experiences.Both domestically and internationally,attention has been paid to physical sensory experiences,but the experience of a complete body in film induced tourism has received little attention.Based on this,this article selects representative domestic film indiced tourism destinations such as Shanghai Disneyland Park,Zhejiang Hengdian Film induced tourism City,and Jilin Changying Century City as the research objects,obtains 86 online travel notes,and then selects Duyun Qinhan Film induced tourism City as the on-site research point to obtain 15 interview materials as supplementary and verification.Data is collected through online travel notes and structured interviews,from a personal perspective,Based on a thorough analysis of the collected travel notes and interview materials,a core category,namely the embodied generation of film induced tourism experience,5 main categories,and 16 categories,was extracted.Based on this,a model of film induced tourism experience elements was constructed,which means that film and television tourists awaken their bodies through tourism motivation and preparation before leaving,immersing them in specific situational experiences.With the deepening of film induced tourism experience,their bodies are extended in media and derivatives,Finally,film tourists are compared with their perceived differences to generate tangible experiences.During this process,tourists experience physical and mental pleasure,empathy,and generation.When tourists experience this "pleasure",they will continue to move towards the realm of generation.Through research,this article draws the following conclusions: firstly,the experience of film induced tourism is a process of personification for film tourists.Solving the development difficulties of film induced tourism destinations and improving the experience of film and television tourists are key;Secondly,the film induced tourism experience is composed of basic elements,core elements,process elements,and survival elements,each of which affects the generation of film induced tourism experience mutually;Thirdly,the film induced tourism experience is the process in which a tourist’s body interacts with the tourism process and obtains meaning of existence.Finally,based on the conclusions drawn from the article,corresponding development suggestions are proposed for the development of film induced tourism cities and theme parks from a concrete perspective. |