With the strengthening of the state’s attention and protection of intangible cultural heritage,the research on it has shown a continuous and stable development trend.Intangible cultural heritage is essentially an important part of folk culture.On the one hand,its protection is conducive to enhancing the cultural self-confidence of the Chinese nation and building a strong socialist culture;on the other hand,mining and utilizing valuable cultural information resources is of great significance for realizing sustainable economic and cultural development.The successful application of the "intangible cultural heritage" of the Mongolian chieftain song once again proves that the people of the whole country and even the whole world have recognized and affirmed the cultural status and cultural value of Mongolian long tune.This paper takes Ujumqin long tune as the research object to study the inheritance of intangible cultural heritage.The specific content includes three parts.The first part is the introduction,which explains the research background,research significance,and related review and research methods.The second part is the main part of the paper,including four chapters,the first chapter is an overview of the long tune and the research site,the second chapter,the third chapter,the fourth chapter respectively from the contemporary transmission carrier of the long tune,the contemporary specific transmission of the population and the main transmission space of the current long tune research.The third part summarizes the intangible cultural heritage and the inheritance of Ujumqin long tune.The research of this paper will provide reference for the inheritance and protection of Ujumqin long tune,provide examples for understanding and recognizing the cultural value of music,and also promote the development of intangible cultural heritage resources.It is hoped that the results of this study will provide more references for the future protection and development of traditional intangible cultural heritage in Xilingol,Inner Mongolia.Through the study of the successful experience of the contemporary inheritance of Ujumqin long tune,we tell us that the protection of long tune must go deep into the grassroots level to ensure that its cultural value is fully reflected.The essence of conservation lies in the preservation of the grassroots community in which it lives,because only in this community can originality be fully protected.Due to the limited research level,limited energy and time,there are still shortcomings in this study,such as insufficient comprehensive and profound theoretical understanding and application,and further in-depth research is also the deficiency of this research and future efforts to explore. |