Research On The Status Of Kuancheng "Back Pole" Dance From The Perspective Of Intangible Cultural Heritage

Back pole is a well-known traditional dance in Kuancheng Manchu Autonomous County,which belongs to the art of raising pavilions and combines traditional dance,folk acrobatics,opera and other diverse art forms.It is a rare folk art form in the country.The Kuancheng Back pole performance has a history of more than 100 years and was listed in the National Intangible Cultural Heritage List in 2008.Kuancheng Back pole is mainly performed during the Spring Festival.It is a local folk dance performance with great attraction.However,with the continuous acceleration of urbanization,especially the rapid development of scientific and technological information,the performance,inheritance and development difficulties of Kuancheng Back pole have become increasingly prominent.Kuancheng back pole itself has unique artistic characteristics and value functions.Based on the author’s field investigation and interview records,the historical origin and development process of Kuancheng Back pole are excavated and described.Meanwhile,the ritual theory and intangible cultural heritage are taken as the starting point of view.To explore the cultural value and function of Kuancheng backstick,the thesis provides theoretical guidance for better inheritance,protection and development of Kuancheng backrod,and enriches the cases of intangible cultural heritage research.The introduction part of this thesis introduces the purpose,significance and methods of the research are introduced.With the help of literature,the historical origin of the back pole dance and the research status of the back pole dance and the Kuancheng back pole dance from the perspective of intangible cultural heritage are reviewed.Then the research on Kuancheng back rod is carried out from the following four chapters:The first chapter mainly traces the history of Kuancheng back pole through literature review and discusses the process of its revival and development.On this basis,it sorts out the existing classic plays of Kuancheng back pole and summarizes the artistic characteristics of Kuancheng back pole.The second chapter mainly regards the Kuancheng back pole as a kind of performance ceremony.From the perspective of anthropological theory,the Kuancheng Back Pole performance ceremony is discussed,and the subject,carrier and specific performance process of the ceremony are discussed.The composition and specific performance process of Chengbei pole are discussed from the perspective of symbolic anthropology.The third chapter discusses the value of Kuancheng back pole and its social functions from the perspective of value and function,and expounds its important social functions in education,ethnic communication,cultural identity and other aspects combined with the interview records in the field investigation.The fourth chapter is from the perspective of intangible cultural heritage,discusses the protection and development of Kuancheng back pole and its existing problems in reality,and puts forward corresponding countermeasures to promote the protection,inheritance and development of Kuancheng back pole from the perspective of the times.