The Influence Of Zhao Chang’S Flower-and-Bird Painting Aesthetic Interest On The Creation Of "Flower Not Flower" Series | | Posted on:2024-02-10 | Degree:Master | Type:Thesis | | Country:China | Candidate:S L Dai | Full Text:PDF | | GTID:2545307157990439 | Subject:art | | Abstract/Summary: | | | On the basis of inheriting the neat and rich painting style of Huang’s family,Zhao Chang’s flower-and-bird painting integrates creative practice to form a painting style with aesthetic interest,which is mainly manifested in the decorative collocation of color blocks and the painting techniques of imitating nature.The research content of this paper is divided into three parts: the first part elaborates Zhao Chang’s relationship with his teacher and explores the reasons that influence the formation of his flower-and-bird painting style.The second part,based on the specific paintings,analyzes the formation of decorative style and the characteristics of the painting,and analyzes the value of the aesthetic interest of the flower and bird paintings.The third part summarizes the practical value and practical significance of Zhao Chang’s artistic aesthetic taste by discussing the characteristics of his painting style.In the process of creation practice,the author uses Zhao Chang’s painting to express the decorative style.Inheriting his sketching ability to learn from nature,he created an artistic image of two-dimensional space.Therefore,his flower-and-bird painting style lays a solid theoretical and practical basis for the creation of the series of "Flowers not Flowers". | | Keywords/Search Tags: | Zhao Chang, Aesthetic interest, Decorative, Writing nature, Creation | | Related items |
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