An Analysis Of Nature Writing And Aesthetic Building In Gl(?)ck’s Poetry

The nature writing in Glück’s poetry focuses on restoring the description of the relationship between man and nature,illustrating the inter-subjective relationship between them.This paper systematically analyzes the construction of the inter-subjective aesthetic relationship between man and nature in Glück’s nature writing from three aesthetic dimensions of myth,image,and voice.The study found that: in terms of the mythological dimension,the inter-subjective aesthetic relationship between the three types of female characters and nature in Glück’s mythology reflects her aesthetic criticism of society.By demonstrating the connection between nature and characters,Glück criticized the harm of anthropocentrism to nature and women.From the perspective of image,the beauty of nature in Glück’s poetry is mainly reflected through the images of plants,natural objects,and garden.In addition,under the guidance of inter-subjective aesthetic relationship of inter-subjectivity,Glück’s nature writing reflects the ecological aesthetic connotation of mutual respect and integration.From the dimension of dialogue voices,Glück’s nature poetry The Wild Iris illustrates the spiritual core of natural beauty through the ecological dialogues among the subjects with different voices.The significance of this article lies in the fact that the author has sorted out the main characteristics of Glück’s nature writing and,on this basis,constructs the inter-subjective aesthetic relationship between nature and human beings in Glück’s poetry through the method of close reading.What’s more,this thesis also affirms the practical significance of the inter-subjective aesthetic relationship for the coexistence of human beings with nature.