Zen Interest And Aesthetic Expression Of Snow Scenery Painting

In traditional Chinese literature,the depiction of snow scenes has a long history.In the Wei and Jin dynasties,as literati emerged as painters on the historical stage and became the protagonists,the performance of snow scenes began to become magnificent.Afterwards,literati and literati invested great enthusiasm in this,creating a unique aesthetic landscape for Chinese painting.Afterwards,due to the deep involvement and influence of Zen Buddhism,Sown had a transcendental interest,and the painter’s depiction of snow scenery was closely related to the opening of human life realm.Due to the height of Wang Wei’s integration of poetry,painting and Zen fusion,scholar paintings have developed a new and profound realm in the performance of snow scenery,and thus become a strong intertextuality context network.Such an extraordinary life complex has become deeply rooted in the spiritual world of scholars and scholars.This article starts with the cultural tradition of snow image expression,combs the origin of poetry,painting and Zen of snow image,analyzes the characteristics of snow from the perspective of phenomenology intuitive experience,and then focuses on the analysis of the aesthetic characteristics and Zen interest of traditional Chinese painting snow scenes,analyzes the aesthetic expression techniques of snow scenes in terms of handed down works and related painting theories,and finally expounds the theme and performance of graduation creation snow scenes,And clarify that the intention of this creation is to express a concept that transcends human alienation in modern society.