| Opera troupe is a very important carrier of inheritance and dissemination in the process of opera development.As a professional Peking Opera group,Li Jia Troupe went through three different stages in the period of Republic of China: the enlightenment period of upgrading stage actors’ class,the growth period after the name of Li Jia Troupe was established,and the maturity period when it was renamed Bin Liangguo Opera Troupe.During this period,with the end of the War of Resistance against Japanese Aggression,other Peking Opera troupes from other parts of Chongqing left one after another,and only Li Jia troupe stayed in Chongqing.In1956,the Lijia Troupe of Binliang Opera Company was reorganized into Chongqing Peking Opera Company,making important contributions to the inheritance and dissemination of Peking Opera culture in Southwest China.This paper mainly studies the cultural dissemination of Peking Opera in Li Jia Class during the Republic of China,which is composed of the introduction,five chapters and the conclusion.Chapter one,the birth of Li Jia Class.From four aspects:the cultural pattern of the diversified development of modern opera,the development of Peking Opera classes in Beijing and Shanghai,the change of the identity of the Peking Opera practice track of the founder Li Yanzhi,and the enlightenment and practice provided by the renewal stage,this paper expounds the necessary conditions for the birth of Li Jia Class,the carrier of Peking Opera culture transmission.Chapter two to Chapter five is the main content of this paper.The second chapter is the educational inheritance of "teaching and performing together".From the perspective of communication mode,this paper expounds the mutual transformation and interaction between cultural inheritance and communication in the development of the Li Family Class from the two aspects of daily teaching and external performance practice.The third chapter,the recording of children’s records.From the perspective of media,based on the general picture of the development of modern records after their introduction into China,this paper analyzes the repertoire and singing characteristics of Li’s Tong actors in recording records,and probes into the significance of recording records for Tong actors.Chapter four,multidimensional interpersonal circles.From the perspective of the circle of communication,this paper analyzes the interaction between Li Jia Class and the circle of Peking Opera professional actors and fans,as well as the influence of different social circles,such as the circle of culture with the circle of fine arts and newspapers as the core,and the political circle,on Li Jia Class.The fifth chapter is the contemporary value of Beijing Opera culture communication in Li Jia Class.On the basis of the contents of the first four chapters,this paper expounds the contemporary value of the Peking Opera culture communication of Li Jia Class through three dimensions,namely,the promotion of Chinese excellent traditional culture,the reference of the model of Peking Opera talent training,and the extension and expansion of the development of Peking Opera schools.The content of the five chapters not only focuses on each other,but also supports each other. |
