Urban Narration Reseaech In Xu Zechen’s Novels

As a typical post-70 s academic writer,Xu Zechen integrated many of the key points of post-70 s writers in the narrative creation of urban novels.Xu Zechen recorded the historical development and change of the post-70 s generation with his unique perspective,and showed the contradictions between The Times and individuals,wandering and pursuit,introspection and redemption in multiple urban Spaces from "Flower Street" to "Beijing" to "the world",forming an urban narrative style with personal characteristics.From the perspective of urban narrative,this paper aims to take overall care of Xu Zechen’s novel creation,explore the urban characteristics and narrative value in Xu Zechen’s works,and its reference significance to the construction of a new aesthetic paradigm of future urban literature.The thesis is divided into three parts: introduction,text and conclusion.In the introduction part,the concept of "urban narrative" is clearly defined.Shanghai literature in the 1930 s and 1940 s,as the occurrence of Chinese urban narrative,climbs its development vein.Clarify the research status of Xu Zechen and his works,clarify the reason for the topic selection and specific research methods;The text is divided into three chapters: the first chapter "Spatial structure of Xu Zechen’s urban narrative",based on Xu Zechen’s literary space,with the help of Xu Zechen’s flowing spatial experience to reconstruct the real urban space,mining the urban emotional experience from the perspective of "others",caring for the emotional plight of a generation,showing the aesthetic sense of flower street,Beijing and outside the world;The second chapter,"Narrative Construction of Xu Zechen’s urban narrative",summarizes the "meaningful" practice of Xu Zechen’s narrative construction from three dimensions of image generation,"homecoming" mode narrative and the interleaving of narrative pattern.The third chapter,"The Cultural Implication of Xu Zechen’s urban narrative",discusses the cultural implication of Xu Zechen’s urban narrative and the cultural understanding of Chinese cities from three aspects: the life care of the urban subject,the experience expression of the spiritual history of the "post-70s" and the root searching of cultural China.The epilogue systematically expounds the unique value and significance of Xu Zechen’s urban narration in the contemporary urban narration,as well as its shortcomings.This paper takes Xu Zechen’s "Flower Street" and "Jing Piao" series as the research object.The purpose of this paper is not only to explore the differences between Xu Zechen’s urban narrative and other urban narratives in spatial configuration,narrative construction and cultural implication,but also to show Xu Zechen’s deep cultural psychology in the construction of Chinese literary city.In order to realize the overall care of Xu Zechen’s urban writing,it provides necessary supplement for improving the objective study of urban narrative.