Spatial Narrative And Cultural Implication

"Shaanxi Army's Eastern Expedition" is actually a metaphor in nature.It is an image statement that has an impact on the novels published by five writers in Shaanxi's literary world in 1993.Combined with the situation of "Aphasia" in Shaanxi literature at that time,we can say that it is a "variable" that emerged during the difficult period of Shaanxi literature.After that,for a long time,compared with the works behind this phenomenon,the discussion of "the eastern expedition of Shaanxi army" focused more on the commercial and literary disputes it brought.Although there are different opinions on these debates,to a certain extent,the "Shaanxi army's eastward expedition",which should have been a dust laden "old story in the literary world",has lasted for a long time.With the passage of time,the enthusiastic response and full affirmation of the five works behind the phenomenon among readers has made academics pay more and more attention to the literary interpretation of these five works.Many researchers have gradually realized that this phenomenon has an impact on the literary world.His contribution does not stop at the "sensational effect" it creates,but also lies in the aesthetic meaning and artistic pursuit displayed in the creation of the work.Because the five works of "Shaanxi Army's Eastern Expedition" are magnificent,or the writing is suave,or the philosophy is profound,and the span is large,they can't cover all the similarities and differences.Therefore,this thesis broadly chooses the concept of "spatial narrative",and mainly uses spatial analysis to carry out the research on the "Shaanxi Army's Eastern Expedition",which is planned to be divided into four parts.The introduction clarifies the birth background of the phenomenon of "Shaanxi Army's Eastern Expedition" and the development of spatial narrative,and briefly introduces the five works behind this phenomenon,laying the foundation for the subsequent research.The first part analyzes and expands the natural,social,and surreal spatial forms in the five works.Divide the natural space into the four spatial elements of “earth,air,water,and fire”,find out the three social space forms of rights,culture,and psychology,analyze multiple key spatial images in the surreal space,and use points and areas to fully cover all the works in the works.All spatial forms involved.The second part is to observe the specific traces from the perspective of understanding,including the spatial narrative strategies,spatial narrative forms and the resulting spatial narrative functions used by these writers in their creation.Starting from the subjective consciousness,distinguish the similarities and differences in the literary writing of these five writers.The third part is to understand the cultural meaning behind the work from the depth of the text,involving three aspects: space of thought,space of desire and space of metaphor.Confucianism,Buddhism,Taoism,and revolutionary ideas are integrated in the text creation.Under the guidance of these ideas,the characters in the five works show versatility and contradiction.Through the analysis and in-depth analysis of these three parts,the deep thinking and theoretical criticism of modern life and urban civilization are carried out within the progressive text.Bypassing the superficial discussion of the group phenomenon of the "Shaanxi Army's Eastern Expedition",the five works behind the "Shaanxi Army's Eastern Expedition" on the one hand carried out a detailed description of the natural,social,and psychological spatial forms,and basically covered the entire Shaanxi region.It not only incorporates many local customs in northern Shaanxi,Guanzhong,and southern Shaanxi,but also speaks ancient ways and presents the present,showing the rich historical and cultural accumulation of Shaanxi as the "land of the Three Qin Dynasty".On the other hand,he has made a deep criticism of social and cultural development.The works contain rich spatial discourse,covering multiple levels of cultural geography,ethnic identity,ideology,etc.,showing a strong sense of spatial criticism.Social changes,cultural changes,rights and desires,tradition and modernity,virtuality and reality...are all intertwined in these five works,enriching the content and enhancing the readability of the novel.In the context of an era where rights and desires are intertwined,it is very commendable for these five writers to be able to dive down and make sufficient preparations and work hard to create.Their works explored many issues,from the outside to the inside,from the nation to the community,from the human to the human nature.It is these contents that give Shaanxi literature the foundation for dialogue with the world.