A Study On The Reception Of Tang Poetry In Japanese Poem Theory And Its Application In MTCSOL

With the continuous close exchanges between China and Japan,Chinese poetry,an art form with Chinese cultural characteristics,was introduced into Japan,and was rooted in the local culture of Japan for more than a thousand years,becoming an existence comparable to the harmony song.Japanese poem theory is the product of the development of Chinese poetry to a certain stage.It is a comment on the poetry of Chinese and Japanese poets,and a discussion on the style and rhythm of poetry.Japanese poem theory has been deeply influenced by Chinese poem theory in the development process,and the influence of Chinese poetry on Chinese poetry has never been concealed in the creation.Therefore,this paper studies the acceptance of Tang poetry in the development process of Japanese poem theory longitudinally based on time.In addition to the introduction and conclusion,the text is divided into four chapters.The first chapter gives an overall overview of Japanese Chinese poetry and poem theory.The first section briefly discusses the history of the development of poem theory.The poem theory has sprouted from the dynasty period,experienced the slow development of the Wushan period and the peak of the Edo period,and finally declined after the Meiji Restoration.It has been circulated in Japan for more than a thousand years.The Japanese poem theory has developed under the influence of Chinese poem theory,and has been baptized and impacted by local culture,The second section summarizes and summarizes the characteristics of Japanese poem theory developed under this background.The third section is an analogy of the acceptance of Tang poetry in the development of Chinese and Japanese poetry.The second chapter specifically discusses the acceptance of Tang poetry during the embryonic and developing period of Japanese poem theory.The first section focuses on the embryonic period of poem theory,that is,the period of the dynasty,and discusses the acceptance of the two poem theory of this period to the poets of the Tang Dynasty and the poetic theory of the Tang Dynasty.The second section focuses on the Wushan period,which is the only book in this period and the first book of Japanese poetry in a narrow sense,Jibei Shihua,as the text to carry out the research on the acceptance of Tang poetry.The third chapter is the key part of this paper,which discusses the acceptance of Tang poetry in the prosperous Edo period and the declining period after the Meiji Restoration.In the first section,the study of Japanese poem theory in the prosperous period is divided into the early Edo period,the middle Edo period and the late Edo period according to the different schools of study.The acceptance of Tang poetry in each period is also discussed and compared vertically.The second section first analyzes the background of the decline of Japanese poem theory,and then writes according to the acceptance of Tang poetry in this period.The fourth chapter explores the feasibility and necessity of Tang poetry teaching in the teaching of Chinese as a foreign language in the new era based on the previous three chapters,combined with the current social situation and the background of the times,and takes specific teaching plans as examples.