The Appendence And Disappearance Of Magical Novels In Tibetan Literature (Chinese Version)

In the 1980 s,Tibet Literature(Chinese Version)set up a special column of magical novels,bringing together writers represented by Zha Xidawa,Sibo and Li Qida,thus setting off a wave of magical novel creation.In 1989,"Tibetan New Novels" came on the scene.Based on "the Tibetan literature"(Chinese version)this publication,with "magical novel Tibet" and "new novel" Tibet bear the phenomenon as a research starting point,through combing the development process,as far as possible reduction of Tibet fantasy novels appear and fade,at the same time looking for the "spin" has not the specific reason for the "potential".Mainly in the following aspects:First of all,"Tibetan magic novel" is not an overnight success.The column of translation and introduction of foreign literature has provided the nourishment foundation of "magic" for his creation,and the early works of Zha Xidawa and Jin Zhiguo can be regarded as a small test of magic creation.Based on the accumulation and precipitation in the early stage,"Magic Novel Special" was officially released in1985.Although the Tibetan magical creation is influenced by the Latin American magical realist writers,the relationship between the two cannot be reduced to one-way acceptance.The creation of magic novels in Tibet is deeply influenced by its profound humanistic history,natural geography and other factors,which is an important reason for the sudden rise of magic novels in Tibet.Second,the "Tibetan Magic Special" failed to shine to the fullest.Tibetan literature(Chinese version)in the tide of root-searching literature and western literature debate was muffled the "magic" characteristic,fantasy novels increasingly aphasia,makes it to its original creation and comments are skewed,it also brought Tibet magic novels many regrets,to fade after the stage.Finally,the emergence of "Tibetan New Novel" in 1989 deconstructed the creation of Tibetan magic novels to some extent.A new name,in fact,reflects the Tibetan literary circle on the creation of magic novel controversy and lack of confidence.In the entanglement of "new" and "magic",critics further pondered whether the creation of previous fantasy novels was "reality" or "magic",and whether "new" could accurately summarize the works produced since 1982.These belated discussions and controversies are not only the summary and reflection of the creation of Tibetan magic novels,but also make the creation of Tibetan magic novels gradually fade away.In short,only by putting "Tibetan Magic Novels" and "Tibetan New Novels" into the historical relationship of succession,can we fully understand the appearance and disappearance of the creation of Tibetan Magic Novels,and further deepen the understanding of Tibetan literature in the 1980 s.