| In 2021,on the occasion of the centenary of the Communist Party of China(CPC),China won a comprehensive victory in the fight against poverty.The targeted poverty alleviation policy is a magic weapon for China to win the battle against poverty.It is also a major innovation in China’s poverty reduction theory and practice.As the mouthpiece of the Party and the government,the radio and television industry not only shoulders the major responsibility of disseminating targeted poverty alleviation and poverty alleviation stories,but also serves as an important media and spiritual strength for winning the battle against poverty and building a well-off society in an all-round way.This paper takes the implementation of the targeted poverty alleviation policy to the overall victory of the battle against poverty as the background,starts from the community aesthetics,refers to the four essentials of community aesthetics proposed by Zhang Jingwu--"maintaining the same","preserving differences","honoring harmony" and "sharing the United States",and takes the poverty alleviation drama as the research sample.With the help of media geography,narratology,sociology and other theories,the thesis systematically studies and discusses the poverty alleviation drama.The first chapter is the introduction,which introduces the background,research significance,literature review,ideas and methods.The second chapter clarifies related concepts and the development process of poverty alleviation drama,and expounds the theoretical basis of community aesthetics.The third chapter explores the spiritual construction of the national community in the TV series on poverty alleviation with the keyword of "Shang Tong",including the idea of building the community with the political discourse of "anti-poverty" and the cultural spirit based on "rural China".The fourth chapter uses "differences" as the key word to explain the emotional identity of regional community in poverty alleviation dramas,including regional image guiding regional community construction and regional culture driving regional community identity.The fifth chapter,with "common beauty" as the key word,analyzes the narrative writing of community aesthetics in poverty alleviation drama,including the beauty of typical characters and group images,and the beauty of multiple narrative theme setting;The last chapter analyzes the aesthetic dilemma and path innovation of the TV series on poverty alleviation from the perspective of suspension and grounding,in order to provide some thoughts for the relevant creation. |