Study On The Dance Form Of "Hou Gua Da Bian" In Lanling,Linyi,Shandong Province

Chinese ethnic folk dance is an artistic expression form that integrates regional,folk,and cultural aspects,vividly presenting its own artistic characteristics and cultural connotations.Han folk dance,as an important component of Chinese ethnic folk dance,deeply reflects the customs and cultural styles of the Han people.The Lanling "Hou Gua Da Bian" dance,also known as the "Double Whip Luozi",was listed as a provincial-level intangible cultural heritage project in 2009.This folk dance is a folk dance art that mainly reflects the life experiences of working people and showcases self entertainment group activities,integrating dance performances,comical actions,and folk songs.The birthplace is Xihenggouya Village,Lanling Town,Cangshan County,Linyi City,Shandong Province.It originated during the Daoguang period of the Qing Dynasty and has a history of 180 years to this day.Currently,it is only circulating in Lanling Town,Cangshan County,and other surrounding areas have not been excavated yet.The "Hou Gua Da Bian" dance is an important component of local folk activities and also an important cultural memory and spiritual carrier for the vast population of the region.This article takes dance ecology as a theoretical perspective to elaborate on the origin and regional environment of this dance art form,namely the source and distribution area of dance core objects;Extract the typical forms of "Monkey Clap Whip" dance,namely dance categories,and combine the aesthetic characteristics of dance movements to explore the artistic form of the dance,thus forming a deeper understanding of the artistic characteristics and cultural connotations of "Monkey Clap Whip" dance,and providing practical reference for further promoting the inheritance and development of the dance.This article is divided into three parts.The first part is an explanation of the actual geographical environment and folk attributes of the "Monkey Clap Whip" dance in Lanling.Through field research and literature review of the dance,the origin and development of the dance are sorted out,and its humanistic characteristics are analyzed from the perspective of folk ecology.The second part is the core discourse of this article,mainly analyzing the dance art form and internal cultural connotation of the "Hou Gua Da Bian" in Lanling.Firstly,starting from the ontological expression form of the dance,analyze its performance categories,performance genres,action methods,and other ontological elements.Secondly,starting from the externalization methods of dance,analyze its props and clothing styles.Through the above two aspects,a detailed analysis is formed on the artistic presentation of the "Hou Gua Da Bian" dance in Lanling.Once again,enter the internal aesthetic perspective of the dance and further explore the aesthetic characteristics behind the actions through externalization.Finally,summarize and summarize the overall characteristics of the dance art form of "Hou Gua Da Bian".The third part is a reflection and outlook on the aesthetic modernity of the "Hou Gua Da Bian" dance in Lanling.Mainly elaborate on the contemporary artistic value of this folk dance and reflect on the potential development difficulties in the current social environment.On this basis,it is envisioned to further promote the development of the "Hou Gua Da Bian" dance through contemporary multidimensional means,thereby promoting the better protection and inheritance of this folk dance and forming a sustainable development state.