The Aesthetic Connotation Of Peking Opera Literature In The New Media Era

Peking Opera literature,as a branch separated from the study of Peking Opera,focuses more on exploring the literary nature of Peking Opera art.Since its birth,Peking Opera art has had a huge impact on various social classes,to the extent that it has attracted attention and analysis from many modern scholars on the literary nature of Peking Opera art,and has made many related research contributions.Since the era of new media,the artistic form of Peking Opera literature has faced tremendous impact in the era,and the transformation of traditional Peking Opera literature in the face of the times has become an inevitable trend.Many literary and artistic workers are committed to the inheritance of traditional Peking Opera literature through the use of new media technology.However,the exploration of contemporary Peking Opera literature cannot only stay at the formal level,but should be studied from a deeper theoretical level and serve as a guide for the actual updating of Peking Opera literature.The article focuses on the aesthetic aspect of Peking Opera literature,and explores the aesthetic value of Peking Opera literature in the era of new media from an aesthetic perspective.On the whole,it is an attempt to explore the aesthetic connotation of Beijing opera literature in the new media era,but there are still some shortcomings in the depth of the combination of new media and Beijing opera literature.The new media era is in the ascendant,and the great changes brought about by the vigorous development of the new media era need to be discussed by later generations.The specific research purpose,content and significance are as follows.After entering the new media era,Peking Opera literature has undergone tremendous changes in its literary form.The previous research achievements of Peking Opera literature cannot fully guide the development of Peking Opera literature in the era.The literary theory of Peking Opera in the era needs to be updated urgently.Studying the aesthetic connotation of Peking Opera literature in the new media era is just what the era needs.Its main purpose is to sort out the development and changes of Peking Opera literature in the new media era,explore the research value of Peking Opera literature in the new media era,and enrich and improve the research framework and content of Peking Opera literature itself in the era;Secondly,to study the cultural significance of Peking Opera literature in the new media era,and to explore its cultural charm and application in order to promote the revival of traditional Chinese culture in the era;Thirdly,absorbing the aesthetic research achievements of traditional Peking Opera literature,exploring the aesthetic connotation of Peking Opera literature in the new media era,and striving to promote the progress of Peking Opera aesthetic research in the era,thereby promoting the maturity and completeness of Chinese Peking Opera as a discipline.The article adopts various research methods such as literature research,case analysis,observation experience,and multi perspective research to specifically explore the overall aesthetic form of Peking Opera literature in the new media era,as well as the specific representation form of Peking Opera literature in the new media era.Its aesthetic form is mainly reflected in the diversified value construction of Peking Opera literature in the new media era.Through the modern transplantation of "classical elements",the nostalgic reproduction of collective memory,and cross-cultural communication and integration,the creation of Peking Opera literature in the new media era presents a diversified value tendency;The aesthetic style of Beijing Opera literature guided by both directions in the new media era,that is,the creation of Beijing Opera literature in the new media era shows lively and dynamic style characteristics on the one hand,influenced by market factors,and on the other hand,serious and profound style characteristics on the other hand,influenced by national support;In the era of new media,the aesthetic experience of Beijing Opera literature is like a game.In the era of new media,people’s pursuit of literature and art tends towards entertainment and shows a strong demand for participation.The creation of Beijing Opera literature has also emerged as a game style aesthetic experience paradigm that meets the needs of the times.The specific form of representation is mainly reflected in the concretization of character image shaping.The typical images of traditional Peking Opera literature are being deconstructed,and the characters in Peking Opera literature in the new media era are presented more finely and concretely;The narrative of script stories and the strong lyrical color of traditional Peking Opera literature are gradually disappearing,and the narrative of Peking Opera literature in the new media era presents multidimensional characteristics;In the era of new media,the creation and appreciation of Beijing Opera literature have become more refined.The traditional Beijing Opera literature,which has a strong sense of marketization,has gradually moved towards the edge of the times.The creation and appreciation of Beijing Opera literature in the era of new media have shown a "top-down" influence mode,and the creation and appreciation of Beijing Opera literature have shown a characteristic of elegance.Thus,the aesthetic value and significance of Peking Opera literature in the new media era are further sublimated,which enriches the aesthetic connotation in the literary era and promotes the cross-border and integration of Peking Opera literature itself.Finally,a prospect is made for the development of Peking Opera literature in the new media era,which focuses on the transformation of people’s aesthetic needs in the era,and combining excellent traditional culture with the aesthetic needs of the people of the era is the way to cultural revival.