A Study Of Pinghu School’s Chamber Music Works

As one of the main genres of Chinese pipa performance art,the Pinghu school pipa began in the late Qing Dynasty and early Min Dynasty and is China’s intangible cultural heritage.There are 13 songs that represent the pipa of the Pinghu school,and its music is full and gorgeous,subtle and hidden,which is a magnificent treasure handed down by the ancestors of Pinghu.Nowadays,in the era of rapid social development,the current pace of people’s life is fast,Mr.Ren Chang,a descendant of the Pinghu School,adheres to the concept of "basing on reality and docking with the present",and provides a new direction for the development of Pinghu School art through "arrangement" and "creation"-the form of chamber performance,which makes the Pinghu School pipa music diversified,and is more conducive to the inheritance and development of traditional genre pipa music.This thesis mainly studies the chamber music work "Haiqing Nahe: Out of the Nest" [Chucao] [Souyu] [Xunshan] of the Pinghu School pipa song "Haiqing Nahe",which is mainly based on the first three sections of the Pinghu School pipa song "Haiqing Nahe",and reflects the inheritance and development between the original music of the Pinghu School and the chamber music through the analysis of the musical structure,materials,performance cooperation forms,performance techniques and artistic styles of the chamber music works.In addition,there are many desirable musical materials in "Haiqing Nahe",which is expected to develop into a musical form of "suite",while "Haiqing Nahe zhi Chuchao Xunshan" is the opening of the suite,providing a new experimental form for Pinghu school chamber music,and also providing a reference for subsequent performers and composers to create traditional classical genre repertoire as a national chamber music work.