| The Eight Sceneries is a cultural phenomenon with a long history that originated in the pre-Qin period,originated in the Wei and Jin periods,developed in the Tang Dynasty.Which was finalized and matured in the Song and Song Dynasties,and finally prospered in the Ming and Qing Dynasties.The Eight Sceneries Culture is a traditional product of the combination of Han culture and regional culture.It integrates ecological changes,natural aesthetics,and the ideological development process of traditional Chinese scholars who are passionate about mountains and rivers.Therefore,it conforms to traditional Chinese natural aesthetic standards and cultural connotations.The Eight Sceneries of traditional Chinese cities are urban landmarks and recreational systems with clear spatial structure relationships formed based on the sorting of urban history,nature,humanities and other landscape resources and in a certain order to express the ideal landscape order and realistic tourism in a specific era.reward demand.After long-term development and evolution,the Eight Views has become a relatively stable phenomenon of systematic and structured human settlements.The Eight Sceneries of Urban represent the characteristic cultural landscapes of ancient traditional cities in my country.The evolution of the Eight Sceneries of Urban in different eras reflects the changes in the urban landscape system,and profoundly reflects the changes in the concepts of urban site selection,landscape construction and urban culture.As an ancient capital of thirteen dynasties with a long history,Luoyang is one of the eight ancient capitals and one of the first batch of national historical and cultural cities.The records of the Eight Sceneries of Urban in Luoyang can be found in the five Luoyang local chronicles.Etc for Chenghua’s "Henan General Chronicle",Qing Kangxi’s "Henan Prefecture Chronicle",Qing Kangxi’s "Luoyang County Chronicle",Qing Qianlong’s "Luoyang County Chronicle",and the Republic of China "Luoyang County Chronicle".Among them,eight,ten or twelve most representative eight sceneries in Luoyang are recorded.There are 108 poems and articles related to the eight scenic spots in Luoyang,which are important documents for the study of the Eight Sceneries of Urban in Luoyang.The purpose of this paper is to explore the historical and cultural value of the eight scenic spots in Luoyang,summarize the laws of historical changes,and explore the construction and framework of the ideal urban landscape system of the ancients.It has important historical theoretical value and reality for the construction of the overall landscape system of modern cities and the construction of characteristic landscapes.Reference meaning.By sorting out the literature of the Eight Sceneries of Luoyang contained in the local chronicles of Luoyang,and using research methods such as inductive analysis,comparative analysis,spatial reduction,and statistical analysis of charts,the paper analyzes Luoyang from the 22 nd year of Chenghua in the Ming Dynasty(1484)to the9 th year of the Republic of China(1920)for more than 400 years.The cultural characteristics of the eight scenic spots and the study of the laws of historical changes.It is concluded that the landscape content of the Eight Sceneries of Luoyang reflects the natural base and regional culture of Luoyang,and the selection,continuation and development of the eight sceneries reflect the traditional Chinese concept of the overall environment,the concept of landscape culture,and the awareness of time and space expression.The historical evolution of the Eight Sceneries of Luoyang reflects the changes in Luoyang’s natural environment,urban construction and social life.The introduction part of the first chapter mainly determines that the thesis takes the Eight Sceneries of Luoyang as the research object,takes the eight sceneries and cultural landscapes in a broad sense as the research scope,and takes the source composition,structural characteristics and changing laws of the Eight Sceneries of Luoyang as the research content,and conducts research on cultural characteristics and historical evolution.The second chapter points out that the Eight Sceneries of Luoyang originate from the eight scenic spots in our country through the related research on the eight scenic spots in my country.The third chapter mainly introduces the general situation of the Eight Sceneries of Luoyang,studies the previous contents of the Eight Sceneries of Luoyang,and conducts a detailed historical research on each scene.The fourth chapter summarizes the cultural connotation reflected by the eight scenic spots in Luoyang through the classification of landscape categories and the judgment of landscape attributes.The fifth chapter draws their historical changes by comparing and analyzing the differences in time and space and the creators of the eight scenic spots in Luoyang in different periods.Laws and reasons for changes.Finally,summarize the historical theoretical value and practical reference significance of the study of the Eight Sceneries of Luoyang. |