Seeking The Image To See The Meaning,Creating The Mood To Generate Emotion

The "garden inscriptions" are literary carriers that are born from the garden entity and condense the garden owner’s ideology and interest.As the top of the royal gardens in Beijing during the Qing Dynasty,the gardening intention and artistic spirit of the Prince Gong Mansion are closely related to the cultural psychology and aesthetic consciousness of the Prince Gong,and are expressed in the garden inscriptions.In order to explore the logical relationship between the garden inscriptions,garden ontology and garden owner’s consciousness,the analysis is conducted at two levels,general and local,according to the basic scope of the theory of "words,images and meanings" in the garden.Firstly,analyze the semantic meaning of the plaques,couples and scenic names of King Gong Mansion,trace the origin of allusions and refine ideas,summarize the number,connotation and spatial distribution of scenic inscriptions,and explore the origin of gardening ideas by combining the experience and consciousness of the garden owner himself.Taking the garden poems in the three poetry collections of Prince Gong and his son Ying Zai as the basic materials,analyze the aesthetic feeling and aesthetic ability of the two subjects for the garden architecture,landscape,plants and space through the semantic and pragmatic level of vocabulary disassembly,combining with the aesthetic process in aesthetic psychology.In comparison with the spatial characteristics of each garden element at the physical level(image)and the spiritual spatial characteristics of the scenic inscriptions(word),we analyze the meaningfulness of the garden’s "elephant.On the whole,it shows the result of "the separation of words and meanings",reflecting the political ideal of "Cultivating one’s moral character,cultivating one’s family,ruling one’s country and pacifying the world" in the gardening intention,while the aesthetic consciousness mainly reflects the seclusion and transcendence of the Taoist influence.From a local perspective,correspond the poetic scenery and the garden scenery according to the location information in the poem,and analyze the aesthetic process and aesthetic mood of each scenery,and the extent to which the "intention" of the scenery and the aesthetic "intention" of each scenery fit together is compared horizontally.It turns out that the scenic spots reflecting Taoist ideological interest and inward composition have a higher degree of meaningfulness.The "people-eventsscenery-meaning" of garden activities recorded in the narrative poems are extracted separately,and the elements of garden scenes and spatial organization in different types of garden activities are analyzed,at the same time,the spirit of place and "realm" are explored from the descriptions of the verses.It’s finded that the intervention of garden activities and the "context" shaped by the subject’s state of mind are also decisive elements of the best meaning.Finally,through horizontal and vertical comparisons,summarize the "words","images",and "meaning" generation pathways,and the elements required for "words to fulfill meaning".The elements needed are: the synergy of garden elements and scenic names,the unity of spatial "psychological field" and "meaning",and the joint participation of subject and object.The findings of the study complement the one-sidedness and subjectivity of previous studies analyzed by theories of gardening and aesthetics,and have certain guiding and enlightening significance for the preservation of the cultural heritage of the Gong Palace garden,the development of garden culture tourism,and even the design of modern garden landscapes.