Linwu Nuoxi opera is one of the oldest operas in China and occupies a high artistic value in the development of Chinese national culture.Linwu Nuoxi opera,which was selected as a national intangible cultural heritage in 2014,now exists in Linwu County,Chenzhou City,Hunan Province,it not only embodies the traditional opera culture,but also has distinct regional cultural characteristics,and has a unique charm among many puppet cultures in China.The effective combination of cultural and creative products and intangible cultural heritage has brought new opportunities for the protection and inheritance of intangible cultural heritage.Taking Linwu Nuoxi opera as the research object,this paper aims to find the new methods of protecting and inheriting Linwu Nuoxi opera from the design perspective of cultural and creative product design.Through literature research and field research,the development history,cultural connotation,inheritance and cultural and creative products of Linwu Nuoxi opera were carefully expounded,the value of Linwu Nuoxi opera in cultural and creative products was analyzed,This paper summarizes and summarizes the elements of visual art in Linwu Nuoxi opera,and chooses the typical Linwu Nuoxi opera as the research object by the way of case study,and makes a theoretical and practical exploration and research on it.Using design methods such as element deconstruction and recombination,element refinement and deformation,and element extraction literal translation,three series of cultural and creative products with the characteristics of Linwu Nuoxi opera with the theme of masks,patterns and characters were designed,which re-gave new vitality to Linwu Nuoxi opera.Taking the design of cultural and creative products of Linwu Nuoxi opera as an example,this paper proves the feasibility of combining Linwu Nuoxi opera and cultural and creative product design through design practice,opens up a new path for the protection and inheritance of Linwu Nuoxi opera,and promotes the development of Linwu Nuoxi opera culture. |