Research On The Application Of Neutralization Aesthetics In Contemporary Architectural Environment Design

Chinese traditional culture is profound and has a long history.Neutralization is the basic aesthetic form of Chinese tradition.In the course of thousands of years of development,it has gradually transformed into ’ orthocentric and ordered ’ and ’ harmonious and moderate ’aesthetic thought,and then formed a unique cultural spirit,ideology and value orientation,resulting in a wealth of research categories and artistic achievements.’ orthocentric and ordered ’ and ’ harmonious and moderate ’ are the foundation of the spirit of Chinese traditional culture,and it is also the most primitive aesthetic form.It is almost produced at the same time as Chinese traditional culture,and has been running through the development process of Chinese aesthetic form.Architecture is the material carrier of culture,and environmental design is one of the important media to assist its artistic presentation.Architectural environment design conveys its unique cultural quality to the world with its unique aesthetic orientation and artistic representation.At present,with the international cultural exchange and the rapid development of science and technology,the public ’s aesthetic consciousness has shown a diversified tendency.How to maintain and innovate Chinese excellent traditional culture and realize Chinese modernization is the original intention of this thesis.The research on the thought of neutralization aesthetics has important theoretical guiding significance for inheriting aesthetic culture,helping cultural self-confidence,and maintaining the nationality,regionality and ecology of Chinese design under the trend of globalization.The thought of neutralization aesthetics involves a wide range of contents.This thesis only attempts to explore the artistic representation and aesthetic cultural connotation of the inheritance and innovative development of neutralization aesthetics in contemporary architectural environment design,aiming to sort out and summarize the modern expression form of neutralization aesthetics in contemporary architectural environment design,and strive to actively apply it in design practice.This thesis mainly starts from the following six parts : The first chapter is the introduction,which expounds the research background,research purpose and significance,research status at home and abroad,research methods and innovation points.The second chapter analyzes and studies the construction foundation and value of neutralization aesthetics.The third chapter expounds the background of the formation of neutralization aesthetics in the traditional architectural environment,and analyzes the specific characterization of neutralization aesthetics in the traditional architectural environment from the artistic representation of ’ orthocentric and ordered ’ and ’ harmonious and moderate ’.Re-cognition and interpretation of neutralization aesthetics,induction and refinement of its core essence,as a method theoretical system for making the past serve the present.The fourth chapter combines modern design concepts and methods to deeply explore the modern expression of neutralization aesthetics in contemporary architectural environment design,so as to sort out the inheritance and innovation path of neutralization aesthetics in contemporary architectural environment design.The fifth chapter interprets the application practice cases of neutralization aesthetics in the architectural environment design of Confucius Institute,so as to confirm the reference significance of neutralization aesthetics in the application of contemporary architectural environment design.The sixth chapter summarizes the enlightenment of neutralization aesthetics to the future development of architectural environment design.