| During the Ming and Qing Dynasties,Huizhou imperial examination culture flourished,and as a kind of spiritual code was reflected in huizhou architecture sculpture in the form of images.As the imperial examination itself was a complicated process,the images of huizhou architecture and sculpture in the imperial examination were highly unified and inclusive.The article starts from four aspects,first of all analyzes the geography,society,humanities field which the imperial examination image produces.Secondly,according to the selection and combination of the Imperial Examination Schemata,it can be divided into three types: one is to deduce the images according to the course and track of the life of the imperial examination in the secular society;Third,through the virtual children’s game,with a ritualized scene to look forward to future generations can enter the court as officials,the glory of the ancestors;Then discuss the space problems caused by the imperial examination images,and analyze the specific architectural space and visual space.Finally,the art form of imperial examination images is excavated,and its unique carving pattern,media integration characteristics and profound aesthetic implication are analyzed.The above four aspects together constitute the symbolization system of the imperial examination culture in Huizhou.By studying this,we can not only appreciate the artistic beauty of Huizhou’s architectural sculpture,it can also provide insight into the mentality and spiritual characteristics of the Huizhou people under the influence of the imperial examination system.Imperial examination images played an important role in the education of family customs in ancient Huizhou,and also became an important resource for contemporary society to cultivate and promote family customs and enhance social governance. |