Analysis Of The “Shape” And “Condition” Of Garden Space From The Perspective Of "The General Method Of Painting Garden"

This dissertation is based on the foundation of "the general method of painting gardens",starting from the theory of painting,studying the space of garden paintings,taking private gardens in Suzhou as the applied gardens of this dissertation,and devotes itself to studying three issues:1.In what aspects is the connection between "landscape painting theory" and "garden space" reflected?2.How does the interrelationship between "landscape painting theory" and "garden space" form a garden painting space?3.The research of "garden space" based on "landscape painting theory" fills in the gaps in the research of "garden space" from the perspective of phenomena?Because the research basis of painting theory is lacking,there are also lacking links in the research of painting theory and garden theory systematization.The interrelationship between gardening theory and painting theory is the fundamental reason for the creation of garden painting environment,and ancient and modern China and foreign countries are self-contained systems.Therefore,the author reinterprets the term "form" in the context of ancient China.Starting from the interpretation of "form" and "state" in Xu Shen’s "Shuowen" in the Eastern Han Dynasty,I summarized the paintings in the past paintings.The specific principles of form and form are presented in the form of tabulations,and then applied to private gardens in Suzhou,so as to explore the art of Suzhou gardens from the perspective of form and form.Through in-depth study of the above three issues,the author believes that the interlinked relationship between "landscape painting theory" and "garden space" is embodied in "form" and "state",and the "formation" and "statement" in painting theory affect the garden painting environment space."Formation law" is specifically embodied in situation theory,tortuous theory,high and low theory and open rationality;"state law" is divided into "object-subject state method","opposite phase formation method" and "echoing the expectation state method",among which," The“object-subject” method is specifically embodied in the “object-subject” method,and the “opposite phase-formation method” is specifically embodied in the “sparse and dense” method,the virtual reality method,the concealment method,the yin and yang method,the pitch method,and the dynamic and static method.The “echoing and looking forward method” is specifically embodied in the echoing method.Gu Pan reason and law.The author finds that there is a unity between form and state.Situational law is the command of "formal law",echoing Gupan is the program of "state law",which harmonizes and unifies the opposite state and the guest-host state,and the two ultimately make the garden present a diverse and unified landscape.Finally,the author takes Mr.Peng Yigang’s "Analysis of Chinese Classical Gardens " as the comparison object of this dissertation,and discusses the complementary content of the space theory of painting theory and the space theory of phenomenology from the two angles of "formation" and "statement".