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Research On Deconstruction And Innovation Of Female Costumes In Dunhuang Murals In Tang Dynasty

Posted on:2024-09-14Degree:MasterType:Thesis
Country:ChinaCandidate:S X LiuFull Text:PDF
GTID:2531307055492714Subject:Art and design
Abstract/Summary:PDF Full Text Request
Dunhuang culture is an indispensable part of Chinese traditional culture,among which the costume culture can be called an artistic treasure.At the same time,it has a high aesthetic value,and also provides a useful reference for the development of contemporary women’s clothing.This paper takes the female costume modeling in Dunhuang murals of Tang Dynasty as the research object,including the female image in secular paintings,female donor,Bodhisattva,music and flying apsaras,etc.,to study the characteristics of the female costume modeling in Dunhuang murals.In addition,it combines its modeling characteristics with modern deconstruction to carry out innovative research through practice.It aims to let Chinese traditional costume culture enter the public’s vision in a more fashionable way,and re-enshrine Dunhuang culture with stronger vitality.The introduction part of this paper analyzes the research background and significance,literature review,research content and innovation points respectively.The second chapter,according to the chronological order,is divided into the early Tang Dynasty and the late Tang Dynasty to discuss the types of female clothing in Dunhuang frescoes in the Tang period,and analyze their differences.In particular,the structure of women’s clothing in the Tang Dynasty was analyzed to pave the way for later deconstruction design,and the overall and partial structures were studied,analyzed and classified in the form of charts.On the basis of modeling,the color and pattern are analyzed according to the chronological order of the Tang Dynasty.As can be seen from the costumes,most of the images in Dunhuang murals of Tang Dynasty come from the traditional costumes of Central Plains.Due to the influence of the Silk Road,it embodies the characteristics of the integration of China and the West,so that it has the unique Dunhuang characteristics.The third chapter of this paper is the definition of deconstructivism and deconstructivism clothing,the development of deconstructivism clothing in the East and West,and the design techniques of deconstructivism in modeling.Through the design techniques of deconstructive design works of Eastern and Western designers,this paper explores and analyzes the popular deconstructive design methods,focusing on superposition,juxtaposition,exaggeration and other means,so as to provide theoretical support for deconstructive design by absorbing Dunhuang elements.The fourth chapter is the core part.
Keywords/Search Tags:Dunhuang, Traditional clothing, Deconstruction, Practice
PDF Full Text Request
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