Study On The Visual Form Of Pingjiang Shadow Puppets

Shadow play is a popular traditional Chinese opera,which combines traditional opera,paper cutting,sculpture,literature and other art forms.Shadow puppetry has existed for thousands of years in China with vast territory and abundant resources.Under different regional cultural backgrounds,numerous schools have formed,and the shapes and functions of shadow puppetry are also very different.Hunan Pingjiang shadow puppetry,as a bright pearl of pingjiang folk art,has strong local characteristics,especially in the shadow puppet modeling,creative ability and cultural attributes have their own style characteristics.This paper takes pingjiang shadow puppetry in Hunan province as the main research object,and studies the historical origin and development status of pingjiang shadow puppetry opera and shadow puppetry,as well as the visual morphological characteristics and aesthetic value of pingjiang shadow puppetry.Through comparative analysis,literature research,field survey research methods such as analytic at pingkiang,hunan shadow play shadow accidentally and Chinese shadow play shadow around accidentally in style,the differences between the shape and form,and then summarizes its aesthetic value,so under the background of contemporary digital at pingkiang,hunan shadow play accidentally visual form of practical application.Through the research and application design practice of the visual form and aesthetic value of pingjiang shadow puppetry in Hunan province,the transformation process of pingjiang shadow puppetry opera cultural resources to cultural capital is promoted,making a modest contribution to the inheritance and innovation of excellent traditional folk art in Hunan Province.