| From the origin of Yingluo in India to the development and formation of Yingluo in the local area,whether it is in terms of form or cultural value,it is almost all dependent on the spread of Buddhism.Yingluo originated from the secular,bloomed in the spread and development of Buddhist culture,and slowly penetrated into the secular culture.It is also a highlight in the history of Chinese ornaments.The murals of Fahai Temple in Beijing are relatively well-preserved murals of Ming Dynasty temples painted by court painters.The richness and exquisiteness of the royal murals are beyond the reach of ordinary temple murals.The palace painting academy of the Ming Dynasty inherited the Song system,and Fahai Temple was influenced by some Tibetan Buddhist artistic styles.The Buddhas wore different shapes and decorations,and their modeling structure and decorative elements were more diverse.Therefore,this article takes Beijing Fahai Temple fresco figures and costumes Yingluo as the research object,conducts systematic and comprehensive data collection and sorting,and analyzes its formal language characteristics.First,sort out is to sort out the research status of Yingluo and determine the research ideas and directions.Second,understand Yingluo from ancient texts,understand Yingluo’s definition concept from text interpretation,understand the source and meaning of Yingluo,and sort out Yingluo’s definition concept.Third,through the analysis and comparison of Fahai Temple murals,we can understand the modeling structure,elements,and color pedigree of Yingluo,and analyze the corresponding analysis of the wearer’s identity.At the same time,we will compare with other temple murals in the Ming Dynasty to analyze the characteristics and commonalities.Fourth,through the study of nationalization,the unique artistic style and elements of the nation are extracted to realize the application of modern jewelry design,pattern design and traditional culture activation design. |
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