Research On The Application Of Buddhist Decorative Patterns In Jewelry Design

Buddhist decorative patterns are an important part of Buddhist art.The animal and plant ornamentation directly affects the development of traditional Chinese ornamentation and is the artistic treasure of the Chinese nation.With the introduction and development of Buddhist culture,in the process of evolution and the local culture collided with each other,the process of nationalization of Buddhist decorative patterns in the Tang Dynasty gradually matured,developed to the peak and created a new style completely nationalized.Buddhist decorative patterns are a branch of Buddhist art.Strictly speaking,the scope of Buddhist decorative graphic art is too broad,and it is not a paper that can be clearly explained.Therefore,the focus of this study is on the movement of Buddhist decorative patterns in the Tang Dynasty.Research on plant ornamentation.As a kind of carrier,jewellery art can play an active role in carrying China’s excellent traditional culture and carrying forward the excellent national art form.With the continuous advancement of the society,the people’s demand for jewellery is getting bigger and bigger.While retaining the unique visual language and implied meaning of Buddhist decorative patterns,how to apply it properly to jewelry design is the study of this paper.difficulty.According to the above arguments,this paper starts from the perspective of jewelry design,starting from the modeling features and basic characteristics of animal and plant ornamentation in Buddhist decorative patterns,and carries out specific analysis and research from five chapters based on relevant literature and field investigation results.The first chapter is the introduction,introducing the background and significance of the topic,expounding the research status at home and abroad,and paving the way for the following discussion.The second chapter mainly expounds the evolution of the Buddhist animal and plant ornamentation case in the Tang Dynasty.Taking the Dunhuang mural pattern as a case,the characteristics of the model are summarized and compared.The third chapter analyzes the structural characteristics of the animal and plant ornamentation in the Dunhuang murals of the Tang Dynasty,and summarizes,organizes and studies the color features and artistic features.The fourth chapter focuses on the analysis of the application value and form of Buddhist animal and plant ornamentation in jewelry,and explains the changes in the application form of Buddhist animal and plant ornamentation in jewelry design.The fifth chapter analyzes the author’s practical creation case,from the design works,analyzes the element application strategy and the combination direction of the two and puts forward their own views.