Research On VR News In The Context Of Post-classic Narration

With the continuous iteration of VR technology,the corresponding AR,H5,CG modeling,blockchain and other technologies are also constantly new.In the context of5 G commercialization,network speed will no longer be a shackle to the development of VR news,and VR news will usher in new development opportunities in the context of technological convergence.VR news,a new form of news,integrates text,picture,sound,video,data and other media forms,which not only enhances the performance effect of news,but also makes the narrative characteristics and structure of news more complex and diversified.The author mainly takes VR news as the object of narrative analysis and looks for the unique laws of its narrative from the perspective of post-classical narratology.In the analysis of narrative features,focusing theory and visual grammar are used to sort out its narrative features.In the focusing strategy,three strategies are summarized: spectacle narration,hyperreality narration and gamification narration.In the analysis of visual grammar of VR news,three features of visual grammar,including presence,interaction and composition,are used as the basis for narration,and three features of visual grammar of VR news,including on-site construction,enhanced interaction and composition application,are teasing out.In this paper,VR news is placed in the context of post-classic narrative,and the narrative features of VR news are analyzed by comprehensive use of literature analysis,case analysis and comparative study.Through multi-level and multi-angle analysis of VR news and narrative exploration of practical theory,the author finds that VR news does have post-classic narrative characteristics that are different from traditional narrative structure.VR news narrative starts from the feelings of the audience,implements the user-centered view,and places the audience's immersion,interaction and imagination experience in VR news at the core of its narrative strategy,which is in line with the basic characteristics of paying attention to readers in the post-classic narrative.