Research On Domestic Phenomenon-level Animation Films Since 2009

Since the birth of Chinese animated films in the 1920 s,they have experienced many ups and downs,have created brilliance,and have fallen into a trough.With the efforts of generations of animators,Chinese animated films have become more mature and have gradually found their own position in the Chinese film market.Beginning in 2009,Chinese animated films have continued to be outstanding.They have set box office records time and time again,and have been recognized by the audience time and time again.The outstanding Chinese animated films represented by "Nezha: The Devil Boy" and "Journey to the West: The Great Sage Returns" can be called phenomenal animated films.Their appearance marks the Chinese animated film market has entered a highly mature development stage.But behind the prosperity,a reality that cannot be ignored is that Chinese animated films in the past ten years have not broken through their own creative bottlenecks,and have not become one of the carriers of culture in the current era.Whether it is storytelling or aesthetic expression,Chinese animated films still have some flaws.For these problems that need to be remedied in practice,corresponding strategies can be found in the research of Chinese phenomenal animated films.This article takes the Chinese phenomenal animation films as the research object,analyzes the characteristics,causes,difficulties and countermeasures of Chinese phenomenal animation films.The introduction part analyzes the research background,significance and current situation of Chinese phenomenal animation films,and clarifies the research objects.The first chapter analyzes the film phenomenon and market phenomenon of Chinese phenomenal animation films,and summarizes the current development characteristics of Chinese phenomenal animation films;The second chapter analyzes the reasons for the formation of the two phenomena,the necessary conditions and existing achievements of the phenomenon-level animated film.The third chapter analyzes the difficulties faced by the development of Chinese phenomenal animation films.The fourth chapter mainly discusses the ways to improve the narrative ability of domestic Chinese films and the development direction of traditional aesthetics.