Research On The Legendary System In The Early Qing Dynasty

From the beginning of Qing Dynasty to the beginning of Qing Dynasty,legends were different from the Ming Dynasty and the middle and late Qing Dynasty in terms of system,with unique characteristics in narrative structure,style and style.This paper consists of five chapters.The first chapter studies the legendary narrative structure and narrative strategy in the early Qing Dynasty.The narrative structure of legend in the early Qing Dynasty has changed and developed to different degrees in the five key links of the house,the field,the color of the feet,the small and the big,which reflects the flexibility and innovation of legend creation in the early Qing Dynasty.In terms of narrative strategy,the method of misunderstanding coincidence and the interlacing of key props have become the common method of legendary creation in this period.The second chapter studies the performance of legend in the early Qing Dynasty.At the beginning of the qing dynasty,the proportion of performative purposes increased gradually,and formalized performative purposes,such as drama within drama,commotion,fighting,etc.At the same time,the stylization of schematic purposes prompted some performative purposes to be transformed into special performative purposes,which tended to be "classical".The third chapter studies the legendary foot color in the early Qing Dynasty.As a whole,whether it is with the scene,song sing fit,or the foot color between the field is connected,the legend of the early Qing Dynasty is very excellent,and its home should be gradually enlarged trend.The fourth chapter,the study of the legend set in the early Qing Dynasty.In terms of the Nanqu type,in addition to the general combination of sets,the circulation of the set,the same fold cavity is the most prominent,and the formation of a fixed deck combination and adaptation scene;As far as the North-Qu set is concerned,the phenomenon of the North-South combination set and the North-South mix set is more prominent,especially the use of the North-South combination set is becoming fixed.On the other hand,the combination and development of the collection and melody are recombined and developed on the general law of the collection and melody,and are concentrated in the forms of the same gong tune and the cross-gong tune.The fifth chapter studies the stage presentation of legends in the early Qing Dynasty.Legend of the early Qing Dynasty contains a large number of pass-piercing,end masonry,and subject interface hints,which are mainly manifested in the increase of moustache display patterns,more detailed clothing style classification,complete display of civil and martial arts at the end of masonry,and extremely detailed subject interface hints.The conclusion summarizes the characteristics of the legendary system in the early Qing Dynasty.The extant literature of the legend of the early Qing Dynasty retains a great deal of literati’s aesthetic taste,but it has already noticed the vulgarity of the aesthetic taste of the citizens.There were also some new changes in the artistic system of legends in the early Qing Dynasty,which reflected the change of the atmosphere of drama creation at that time and the further development of drama theory.