Aesthetic Research On Painted Pottery Of Majiayao Culture In Gansu-Qingdao Region

The color pattern of implements is the three key carriers to show the aesthetic appreciation of the painted pottery of Majiayao culture.The primitive ancestors in Ganqing area connected the three together to form a three-dimensional visual picture,which conveyed the original regional aesthetic consciousness to contemplate from the hidden The color brings out the beauty and then the oracle is hidden.The primitive people showed their early aesthetic consciousness with the help of the medium of colored pottery,so the colored pottery was both a symbol of practicality and aesthetics As a link between production and life and the spiritual world,the colored pottery of Majiayao culture has embedded the primitive and germinating hierarchical concepts and the polarization of wealth into the daily life and emotional structure of primitive ancestors,which has achieved a high degree of unity between the practical use of colored pottery and the aesthetic feeling.Specifically,in the activities of primitive ancestors,the colored pottery respectively presents a hidden reflection Choi akira good pleasure and grain implicit oracle three kinds of aesthetic tendency,to include the same order of practicality and aesthetics in primitive cliff-paintings daily spiritual awareness and emotional structure,through the specific shape design Color screen and decorative art,painted pottery become pottery ancestors way of thinking and ideas,build an painted pottery world full of original aesthetic implicationAs consciousness apparent carrier shape,the original ancestors practical consciousness circular concept and look at the three key concepts connected together,made of the natural world consciousness flow,construct the beauty of the germ of painted pottery culture Color to achieve the qinghai region with the original aesthetic features fusion,on the basis of the initiative to find color,achieve the color to show beauty The color to the rhyme of emotional catharsis The color contrast of painting and pottery clothes is perfectly matched,reflecting the naive,unsophisticated,elegant and solemn color experience of primitive ancestors.Meanwhile,color,as an expression of order,reflects the social division of labor in Ganqing area to a certain extent.In addition,because of its symbolic expression,decoration becomes the connection between the past,the present and the future,observing objects and taking images The spiritual connotation of the three layers of ornamentation,the image and the illusion,extends the aesthetic tension of the oracle,and transmits the spiritual sustenance and the shape and color of the primitive people of majiayao culture in the ganqing area The rhythm between the patterns forms a dialogue between the lines and the space,in which the broad spatial consciousness and the vigorous life rhythm of the primitive ancestors are revealed,as well as the consciousness of the visual and tactile aestheticization in early China,which extends the endless aesthetic implication in the limited space of colored pottery.Majiayao culture colored pottery by regional practicality and aesthetic established,gradually germination of the Ganqing area human early aesthetic consciousness colored pottery for the later significance,one is to observe the early aesthetic concept,from the overall design of colored pottery began to cultivate the original aesthetic concept Second,in the more solemn primitive tribal occasions,the language of colored pottery often with its special metaphorical expression,in the overall planning of the hierarchy and hope and other good wishes increasingly into the primitive ancestors daily life practice,complete the production of emotional communication and tell In the process of the pioneers of the original life,practical and aesthetic horse home painted pottery kiln culture blend in the pursuit of aesthetic practice in primitive cliff-paintings daily production and living ways,given the primitive cliff-paintings production practice aesthetics of everyday life and in the later generations continue to extend westward,presents the multiple dimensions of emotional expression space,ultimately achieve the beauty of the territory of the qinghai region horse home kiln culture.