A Comparative Study Of The Mounting Styles Of The Qing Dynasty And The Folk Painting And Calligraphy

The mounting of calligraphy and painting developed to the Qing Dynasty and has been very perfect.The Qing Dynasty imperial family's pursuit of heavy,luxurious,and complicated mattresses was well reflected in the mounting.The Qing Dynasty's inner palace mounting was promoted by Qin Changnian and a group of mounting masters,and developed on the basis of inheriting the mounting system of the ancients.There are many mounting styles with the characteristics of the Qing court.The interior decoration of the palace reflects the royal aesthetics in terms of materials,styles,and styles due to its subordination to the characteristics of the imperial family.In contrast,the craftsmanship and aesthetic level of folk paintings and calligraphy mounting has been greatly improved due to the intervention of literati.On this basis,several monographs appeared.These monographs are not only a summary of the experience of the predecessors,but also their own thinking and understanding,and at the same time they have certain enlightening significance for later generations.This article takes the painting and calligraphy mounting of the inner government and the folk mounting led by literati aesthetics as the starting point to analyze the similarities and differences between them.