Phantom Garden

Since the Airport wall painting Movement in 1979,contemporary Chinese wall painting art has undergone new changes brought about by the development of the times,such as spatial transformation,conceptual innovation,and technological advancement,The incorporation of new materials,integrated installations,video art,computer mediaand other new concepts and technologies into contemporary wall painting innovation and application,not only expands the creative medium,but also surpasses the traditional wall painting narrative mode,and expands the multi-latitude,three-dimensional,dynamic andother more diversified wall painting forms.The medium is the carrier of wall painting,which is one of the core issues facing the theoretical research and practice of wall painting.From the evolutionary trajectory,the history of wall painting is also a history of the development of the medium."So the contemporary use of creative media is particularly notable,and the progress of new mediaand technology has not only changed the carrier and medium of public art,but also stimulated the development of the concept of public art interaction to a certain extent,thus promoting the development of contemporary wall painting.The expansion and involvement of virtual reality technology in the application of new media art will overturn the tradition and become the future trend,leading art from the entity to the virtual,realizing an all-round,multi-channel holographic experience.This not only subverts thestructure,form and expression of traditional new media wall painting,but also promotesthe "subject"(the artist),"ontology"(the artwork),and the "body"(the artist)of artcreation.The relationship between the "object"(the audience for the work)has changed.According to Shiho Nanjo,the times are gradually turning to public art,whether from the point of view of architecture,urban planning or art.In the field of public art,wall paintingoccupies an important position.This paper analyzes the impact of new media technologyon contemporary wall painting in the context of its intervention,and examines how tointegrate science and art,change the traditional narrative model of mural painting,expandthe display space of wall painting,and enrich the creative form of wall painting by compiling the history of the transmutation of new media technology and using virtual reality technology as a media application in contemporary wall painting.Discourse and Judgment.