A Study Of Landscape Painting With The Motif Of "travel" In Ming Dynasty

With the theme of "traveling",landscape painting has the characteristics of authenticity,story and poetry,etc.,which gradually forms its unique style and appearance and occupies the mainstream position as a new painting mode through the clever thinking of the painter.Traveling map has always been a painting subject favored by many painters since the Six Dynasties,and the painters generally place the journey in the mountains and waters of high and distant,desolate and lonely,revealing the artists’ own thoughts on travel and life.According to such landscape features such as motif,imagery and theme,from sociology,theme and image study methods and study theory Angle,the cultural roots of this study was to evaluate travelled landscape painting and the connotation,through the generation of Ming travelled the collecting and organizing of landscape painting works,expatiates travelled the motif and picture in landscape paintings of many typical imagery.On the basis of the concept interpretation,the formation of a pattern classification of the travelled genre painting,landscape painting works of subjects for further understand we media,involves the narrative scope breadth,expand understanding of travelled expression category,at the same time under the condition of different aesthetic image composition,depth works embodies the emotional,political environment and sigh with emotion metaphors and the heart to travel outside of the pursuit of life.By sorting out relevant records in ancient books,documents and image data,It is clear that the word "travel" in "travel painting" refers to various meanings such as business travel,war and hunting,students studying,leaving for work,monks traveling and so on,as well as the aesthetic connotation of criticism and rebellion against the earthly world or praise and yearning for the natural mountains and rivers expressed in literary works on the theme of travel.Secondly,by analyzing the different ways of constructing "travelled" image,"travelled" motif landscape painting for the concept of broad sense,and in unique Angle of view to discuss travelled motif paintings with characters in the story as the main content we figure painting and travelled distinguishing features of landscape painting,in order to more clear definition on "travelled" painting.Chapters in this paper using the image science,hermeneutics research methods,to screen image "travelled" painting work presents the classification,discuss the boat horse,donkey and travelled environmental factors of landscape as aesthetic symbol in this period the concept of expression and analysis of the aesthetic connotation of different image rendering,through the "line" and "you" to show the teachers of the inner meditates on bumpy career situation;Or show the politics and daily life of the power class and the hardship of the survival of the lower class.At the same time,it deeply analyzes the influence of the image system background of the Ming Dynasty’s traveling motifs on the creation of such motifs,including the inheritance of the Ming Dynasty’s literati paintings to the Yuan Dynasty,the catalyst of Suzhou’s civic economy,the prevalence of outing and the recluse driven by political circumstances,etc.This paper analyzes the deep motivation of the development of the landscape painting of the Ming Dynasty,the aesthetic value derived from it and its unique position and positive influence in the history of Chinese painting.